Super Mario Replay: New Super Mario Bros 2

I thought I had written about this game back when it was released, but apparently I didn’t. That is a shame. New Super Mario Bros 2 was released amongst a uncharacteristic deluge of true Mario games. From 2009-2013, there were 6 full Mario games released, not including Super Luigi U, a full-sized DLC add-on. NSMB2 was released right in the middle of that, and it got overshadowed by the games around it. That really isn’t unfair; most of those games are straight up masterpieces. NSMB2 is not quite on that level, but it is also a decided step up from its immediate predecessor New Super Mario Bros. Unfortunately for this game, excellence is overshadowed by brilliance.

The first New Super Mario Bros game was a phenomenon, but it is actually pretty pedestrian compared to the rest of the series. As you play it, you can almost feel Nintendo working through the rust of not having made a 2D Mario game in more than a decade. That time gap also allowed people to give it a lot more leeway. It had been a long time since there had been a 2D Mario game, the sheer newness of it covered a lot of the games lesser moments. Plus, its not like NSMB was bad, it just wasn’t on the level of the first four games. After that, Nintendo followed up with the multiplayer focused New Super Mario Bros Wii, (my copy of which unfortunately won’t play, so I can’t revisit it at this time) which was its own thing. NSMB2 feels much more assured than the first game; by the time of its release the developers knew how to make Mario games. But it also adds little to the formula.

NSMB2 is not helped by its gimmick, which is based around collecting coins. It is a good thought; coins were a long time part of the series that had little to no mechanical import. Sure in Mario 64 they acted as health, but for the most part they seemed to be there because they always had been there. Without changing anything, NSMB2 emphasizes collecting coins. It almost feels like it should have been a Wario game, since he is the one that loves treasure. It adds almost nothing to the game.

That said, I still think NSMB2 has been unfairly dismissed. While it lacks that spark that makes a lot of the Mario series so great, the game is still excellent. Now that Mario games have again slowed to a trickle, the routine excellence of NSMB2 is more easily appreciated. Not all games can be Super Mario 3D World or Super Mario Galaxy 2. Sometimes just doing everything right can be enough. Sometimes you just want to play more Mario levels. That might be all that New Super Mario Bros 2 brings, but it brings it so well that it is hard to hold it against the game. At least, it is now that it is not coming less than a year after Super Mario 3D Land and a few months before New Super Mario Bros U. Those are the more essential games, but once one has finished with the essential, there is more than a little to recommend in the excellent.

Game Night

At first glance, Game Night looks like any number of middling comedies that have come out over the last decade. It takes a good high concept and throws together a group entertaining performers in hopes of making something resembling a movie. Game Night, though, actually is really good. It isn’t perfect, but it has some really great performers, a twisty, funny script and it is shot with more care than is usual for comedies.

Game Night stars Jason Bateman and Rachel McAdams, who are both a lot of fun, as married couple Max and Annie. Bateman excels at playing the put upon voice of reason and that is mostly where he is here. Here he is competent, but also over competitive. McAdams as great as his similar wife. They play off of each other well. There are joined on their game night by their dimwitted buddy Ryan, his intelligent date, married childhood sweethearts Kevin and Michelle. Those four have their moments, feeling like at least conceivable friends. They are joined by Max’s successful brother Brooks (Kyle Chandler), who tries to spice things up. Left out of game night is Max and Annie’s neighbor, the recently divorced Gary, played by Jesse Plemons. Brook’s invites the group to his house, where he has hired actors for a fake kidnapping mystery game. Unbeknownst to the group, that is interrupted by an actual kidnapping. The couples go their separate ways to solve things.

It works surprisingly well. At first they all think it is a game, but eventually they start to realize that things are more real than they thought. The movie does a great job of keeping the viewer in their toes as well, as what seems real might not be as real as they seem or make fake parts aren’t as fake as they seem. All the players do their part, though Bateman’s deadpan and McAdams enthusiasm do a lot of the work in getting jokes across. The best part is Jesse Plemons, who underplays everything as Gary. He come across as genuinely creepy. It is hard to tell if he is just depressed because of his divorce or planning something sinister. It all pays off in the best way.

I’m not an expert on shooting movies, but even I can tell the difference between the usual comedy and what is seen in Game Night. Maybe it’s bad that the movie has shots that stand out, but they stood out to me in a good way, enhancing my enjoyment of the movie. There are a handful of distant establishing shots that almost look like models, like they are all pieces on a gameboard, before the camera zooms in on the action. There is also a chase scene through a mansion that at least looks like an impressive long take as the various characters run up and down stairways. The movie really looks good.

I wouldn’t call Game Night great. There is a decent chance I won’t remember I saw it come the end of the year. But it is better than even my somewhat high hopes had expected. It it definitely worth hitting a matinee for or grabbing from the Redbox in few months.

***1/2

Black Panther

While I wouldn’t call any of the Marvel Cinematic Universe movies bad, I think the quality slipped in recent years. 2014 saw the release of Captain America: The Winter Soldier and Guardians of the Galaxy, two of the best movies they have released. Since then, though, Marvel has not exactly struggled, but I would call the next half dozen movies middle of the road output for them. There is a certain level of polish that all of their movies have that never left, but none of those movies really stuck with me. Last Falls Thor Ragnarok pushed things to a new level, finally giving Chris Hemsworth a movie fully worthy of his God of Thunder. With Black Panther, Marvel may be at the start of a trend. Black Panther stands with the very best superhero movies ever made.

The Thor movies are a good reference for Black Panther, because they are doing a lot of the same things. Black Panther does them successfully the first time. The Thor movies have a lot to do with the politics of a fantasy land, with a young prince having to determine how he will rule and dealing with a fractured family situation. Black Panther does all these things as well, only it does them better. The political situation of Wakanda is clearer than that of Asgard, as is T’Challa’s struggle compared to Thor’s. The Thor movies, though, focused almost solely on the ruling family and their close allies. Though I liked the first two Thor movies, Ragnarok was the first one that I completely effectively portrayed the family dynamics. Black Panther deals more with state of the nation of Wakanda, though family certainly comes into play.

Black Panther also displays amazing range. A lot of movies have trouble doing one thing well, Black Panther works in at least two modes at a very high level. In Wakanda, T’Challa is caught up in essentially a fantasy epic; the story there shares more with Lord of the Rings than with Iron Man. It is among the most effective fantasy epics ever put to film. But there is also a detour to South Korea to play out a mini-spy thriller; the movie turns into a James Bond movie for thirty minutes. What is most amazing that it manages to weld these two concepts together almost flawlessly. The various parts of the movie support each other. The Seoul sequence lets T’Challa see his policies in action, letting him be more sure or less, as the case may be, of his actions when he returns to Wakanda. It creates a movie that feels remarkable assured of itself.

That is not even going into the wealth of interesting characters the movie introduces. Somehow Coogler creates the best, most nuanced villain in a Marvel movie with a character named Killmonger. Another highlight is Shuri, T’Challa’s super-genius sister. Or M’Baku, leader of rival Wakandan tribe who challenges Black Panther. All of these characters come from the comics, but the movie does an amazing job of adapting the into a cohesive story.

There are other ways in which Black Panther is a complete triumph that I am not really capable of or inclined to weigh in on, though I do feel compelled to acknowledge their existence. Judging it solely on how successful it is compared to other Marvel movies, or other superhero movies in general, or among all blockbuster movies, Black Panther stands near the top. This is one of the best.

*****

Super Mario Replay: Super Mario 3D Land

I’ve already reviewed this game here, and I mostly stand by what I wrote about this game more than a half decade ago (dear god). Now as then I find it to be a near perfect execution of the Mario formula. Now, though, I am a little more forgiving about how much of a formula the series uses, and how much of a departure this game is from that formula.

Playing it all again, the tight design of this game shines. It starts off probably too easy. That is a common complaint with this game, though an over blown one. It is easy, but Mario games are for everybody. It eases players into things to give new players a chance to learn the ropes. That is a good thing. The counterargument is that many people grew up loving Mario games started with games that are much harder than this one. That is true, but it also misses some crucial points. One is the greater degree of competition for young players attention. Super Mario Brothers might not have been the only game in town, but it was one of only a few when it came out. Super Mario 3D Land faces a lot more competition, with children more likely to turn the game off forever if it is too frustrating. Also, 3D games are more complex than 2D games, and it would naturally take a new player longer to learn to play those than of the original Super Mario Bros. So 3D Land walks a fine line, and maybe errs by being a little too easy, by making a game playable for new players but with enough bite for veterans. It definitely does have that bite at the end; the last few of the special worlds are pretty devilish. So yes, the game makes you wait a little too long before getting to the good stuff, but that stuff is good enough to be worth the wait.

Super Mario 3D Land continues the trajectory from Super Mario Galaxy of bringing the 3D games more in line with the 2D games, with smaller, more inventive levels. Super Mario 64 turned the levels into open playgrounds, and Super Mario Sunshine continued that. The series retrenched after that. In many ways, SM3DL is as much like Super Mario Bros 3 as possible. That is clear in how much emphasis it places on SMB3’s signature power up, the racoon tail. While it doesn’t work quite the same way here as it did there, it is an excellent power up as balanced. It gives an inexperienced player a cushion for ill-advised jumps. But it also gives expert players a lot of tools. The only problem with it is that its ability to break blocks is kind of necessary at some points.

Super Mario 3D Land is one of my favorite games in the Mario series. It is the game that sold me on the 3DS and remains maybe the best game on the system. It is only an incremental movement from the Galaxy games, but it is a meaningful evolution.

Now Playing February 2018

Beaten

Monster Hunter World – I’m not really done with this, but I have essentially beaten it. I will likely have a good, long post coming in a few days/weeks about it. It does a great job of updating the series without losing its appeal. Removing the transition sections from the maps and letting the monsters wander wherever they want makes the world feel more real, and the only thing it loses is the exploit of ducking to the other side of the load screen to heal up. It also has a pretty interesting roster of mostly new monsters. I do hope they bring back some classic monsters through DLC, but it is an early frontrunner for game of the year.

Mario & Luigi Partners in Time – Post coming soon. This is a real good game.

Ongoing

Monster Hunter Stories – I’ve only just started this, but I like it so far. It is fun to get another perspective on a Monster Hunter setting that what is usually there in the games. It is a bit simplistic so far, but hopefully it will develop some as it goes.

Upcoming

Radiant Historia Perfect Chronology – I loved the original release of this game, and I am eager to revisit it and see what new has been added.

Terranigma – I’ve got a Raspberry Pi and I’ve got all my ROMs on it. I plan to play this first to test it out before moving on to some PS1 games or something. I know I’ve had this in the ongoing before, but I think I’m going to have to start over, so I’ve got it here.

What I Read in February 2018

I finished Oathbringer after reading it for a couple months. I also fell behind at in my reading for class, so I don’t expect to keep being able to get stuff read in the next few months. We’ll see. I hope for at least one book a month.

Oathbringer

Brandon Sanderson

I have been a fan of Sanderson for sometime now, but I am coming to the conclusion that this series isn’t really my thing. Not that there is anything specifically wrong with this book, but am finding it hard to maintain an interest in this setting. I really don’t remember much from one book to the next, which is something I am usually really good at.

This book has the conflict of this series coming into focus. It focuses on Dalinar, the oldest of the protagonists and goes over his long history as essentially his brother, the former king’s attack dog. He was good at fighting and that was what he did. It makes for a hard transition as he tries to build a peaceful coalition as they try to fight the voidbreakers. The other characters get some development as well, with Shallan struggling with coming into her power and Kaladin building a small army that follow in his footsteps. I want to have more to say about this book, but the only parts that really spoke to me were Dalinar’s flashbacks. I really like that conceit, with seeing a character in the present before jumping to the past to see how they became that person. I liked it in the first two books with Shallan and Kaladin, and I liked it here with Dalinar. There are other interesting or cool things that happen in this book, but I bounce off of them like I don’t with Sanderson’s Mistborn books or some others. I wasn’t reading it thinking it was terrible, I was reading it thinking that this kind of book might not be for me anymore.

The Dragon Reborn

Robert Jordan

Oathbringer had me wondering if I still liked epic fantasy. I had also stumbled on a Wheel of Time reread that I really liked. So I pulled out my favorite book in that series. I still love this series and I am pretty sure I still like fantasy, I just don’t know that the Stormlight Archive is going to be a favorite of mine.

What stood out to me the most on this read of The Dragon Reborn is how Jordan does perspective. He uses a very close third person that really gets the reader into the head of the character. To use that perspective effectively, the writer really has to know his characters. It also leads to people who do rereads and podcasts to import the opinions of Jordan’s characters onto the writer himself. It is one of the things I like best about the series. Not the mistakes, those are frustrating, but how well Jordan gets the reader into the characters’ heads.

What I Watched February 2018

Movies

Mute – This feels like a personal project from director Duncan Jones, so it hurts to say that it really isn’t very good. It has a lot of good, interesting ideas and pieces, but they don’t fit together in any sort of a satisfying way. The whole thing ends up feeling muddy and unfocused, with flashes of brilliance scattered throughout. **

When We First Met – A new Netflix movie starring Adam DeVine and Alexandra Daddario. It is a time travel romantic comedy that almost works. It frequently does work, but it kind of sits in this odd area between attempting to be touching and being funny, never quite fully succeeding at either. Still, its not bad. But there is so much potential in the high concept that doesn’t really feel like it explores that well. ***

TV

Kakegurui – This is an anime about a school that is all about illegal gambling. A new girl is both great at gambling and gets off on betting. Her lack of concern, especially while exposing cheating student council members, about the consequences causes a lot of upheaval at the school. It’s fine. I’m not sure why I watched it.

The Gifted – There is a lot of good stuff in this show, but there are also a lot of strange decisions and wasted time. For the dilema it ends up presenting its characters, it has pushed things along the mutants hated and feared line too far for it to really work. A peaceful solution is nonsense when mutants are being actively exterminated. It wants both the drama of the peaceful/forceful resistance arguments and the action scenes, but they can’t both exist in the world the show has created. The show also spends way too much time with the Strucker family, who are all almost wholly uninteresting. It makes for a strange show that doesn’t live up to its promise.

The Punisher – The bloom is really off the rose for these Marvel Netflix shows for me. I found this almost unbearably dull. I don’t have much to say about it.

The Shannara Chronicles – I think I might be alone in really liking this show. In a lot of ways it is not good, but it is trying and ends up being really enjoyable. Manu Bennett is a delight as the taciturn wizard Allanon. It has a diverse interesting cast that has some resemblance to characters and concepts from the Shannara books. It also doesn’t waste the viewers time. Plot points that would take half a season on many shows are dealt with in maybe one. It loses some nuance, but it is such a rollercoaster ride that it is hard to care. It won’t make my best of list, but I am glad I watched it.

Electric Dreams – Amazon Prime gets its own Black Mirror, this based on Philip K Dick short stories, which influenced a lot of modern sci-fi including, if only indirectly, Black Mirror. With an anthology like this, the quality varies from episode to episode, but mostly these are really interesting and good.

What I Read in January 2018

I managed to read three books while on break from school. It was a good start to the year. Maybe I’ll keep some of that momentum going into February. I hope to at least finish Brandon Sanderson’s Oathbringer.

The Incrementalists

Steven Brust and Skyler White

The first of the books I got for Christmas that I managed to read. I read a Brust book a few months ago and liked it, but this is something completely difference. The Incrementalists is about a secret society that can save their consciousness in a mental garden and after they die combine it with an new person to live on. They try to make the world better by making small, incremental changes. First, the protagonist Phil finds a someone to take his lover Celeste’s consciousness. Then there is a mystery about how exactly Celeste died and why her memories didn’t come through. I liked the idea and the characters, but really wished the book had done more to show what this secret society does. Other than argue with each other, I guess. It is a lot of drama within the group and everything else is kind of vague.

As You Wish

Cary Elwes

This is not a book that I want to give a harsh review to. There is nothing bad about it, there just really isn’t anything there. It is Cary Elwes recounting his time making The Princess Bride. While that is a great movie, and there were a lot of interesting people involved, his recollections are pretty low impact. I can’t say I didn’t enjoy reading it; I love the movie and liked learning every little bit about the production that I did. But this book lacks something to make it into anything other than a curio for super-fans. I guess it is good to learn that making the movie seems to be as positive an experience for the cast as viewing it was for everyone else. It is genuinely heartwarming to read these recollections, but that doesn’t mean the book doesn’t lack the drama that would make it something really memorable to read.

The Beggar King

Oliver Potzsch

This is the third book in Potzsch’s Hangman’s Daughter series. It has some of the same rough spots as the previous two books, the dialogue has a lot of modern turns of phrase for a book set in the 17th century and characters frequently come off as unreasonable. Whether that is on the writer or the translator I can’t say, but those are pretty consistent flaws in what is otherwise an enjoyable adventure/mystery.

The Beggar King starts with Jakob Kuisl, the hangman, going to the city to help his sick sister. When he gets there, he finds her and her husband murdered and he is framed for killing them. While he sits in jail, his daughter Magdalena and her lover Simon fun afoul of people in their hometown and run away to her aunts and to start in a new life in the city. There, they find out the fate of her father and get embroiled in the machinations that led to his arrest as they try to free him. It is a fast moving, fun adventure that goes some strange directions. I don’t know that I’ll remember the details by the end of the year, but I enjoyed reading it.

Ekho

Christophe Arleston and Alessandro Barbucci

This comic has a fun gimmick, even if it did turn out to be a little more risque than I expected. It stars a woman who finds out she is her aunt’s heir in a fantasy mirror world. She is joined by the man who just so happened to be sitting next to her on the plane that she was transported out of. In the world of Ekho, Fourmille, the main character, is possessed by the spirit of those who were murdered until she figures out who killed them. In the first volume that is her aunt. After that, she and her friends move around to new places. They are pulled to new areas in her job as a talent agent. She also moonlights as part of her secretaries burlesque show. It mostly seems to be an excuse for the artist to draw fantasy versions of what he wants, from Marilyn Monroe to Paris, France. Also, boobs. There are lots of boobs. It is a light, fun affair. If new volumes go on sale on comixology again, I’ll likely pick them up. It was fun enough.

Now Playing January 2018

Beaten

Super Mario 3D Land — post coming soon.

New Super Mario Bros 2 — post coming soon.

Ongoing

Mario & Luigi: Partners in Time — I’ve made a little more progress and should finish soon. I still really like this game and will have a full post once I finish up.

Final Fantasy XV — I played the first hour or two of this. It is interesting, but I can’t tell if I like it or not yet. I’ve barely gotten started. I will say that Cindi is one of the most ridiculous character designs in a series full of ridiculous character designs. It is a sensible concept ran through some kind of insane porn filter. It is just completely out of place.

Etrian Odyssey V — Barely any progress, but it is still the game in my 3DS.

Monster Hunter World — Another game I barely played, but this one only because it just came out. It feels like a little more than the slight updates that the last few Monster Hunter sequels have been. And maybe I just haven’t seen the content yet, but it also feels like a much smaller game than them in terms of number of monsters available to hunt. I’ll be writing more about this early game of the year favorite.

Upcoming

Celeste & Iconoclasts –– I will likely pick up one of both of these for a weekend of fun in the near future. They look great.

Super Mario Mario Galaxy — I am really looking forward to this, assuming I get the chance to actually play it.

What I Watched Jan 2018

Movies
The Shape of Water see review here. *****

Jumanji: Welcome to the Jungle see review here. ***1/2

Goon: Last of the Enforcers — The original Goon was a really fun sports comedy. This sequel doesn’t really have much to offer. Everything that worked in the first movie either doesn’t work here or is so diminished that it doesn’t matter. It wasn’t offensively bad or anything, but it really doesn’t have a reason to exist. **

The Polka King — Between this and Bernie, Jack Black is kind of cornering the market on playing weird criminals. Here he plays a Polka musician who dreams big, and takes investment money from some old people fund tours for his polka band. He is not really a bad person; he genuinely believes that he will be successful and be able to pay everyone what he owes them, but he obviously can’t, as is made clear as it inevitably falls apart. It is funny and sad. ***1/2

Mary and the Witch’s Flower — see review here. ****

Step Sisters – This is a small cut above this usual sort of sports/dance movie since it at least tries to have something to say. I don’t know that it actually does; I might be giving it too little credit because I am really not the target audience, but at least it tried. It is well made, but largely familiar. ***

Godzilla: Planet of the Monsters – I love Godzilla, but I didn’t like this at all. It is ugly and slow and mostly really boring. I realize more is coming, but this felt more like a mediocre first chapter than an actual movie. **

License to Wed — I like the people in this movie; Robin Williams, John Krasinski and Mandy Moore (I guess). But the movie misses the mark in just about every way, coming off as creepy and deranged rather than funny and relatable. *

A Futile and Stupid Gesture — This is so close to being really good, but it doesn’t quite come together. It feels like it is telling the story to people who already know it. It name drops a lot of people, but it doesn’t really tell you anything if you don’t already know to who those people are. It is still mostly amusing and well made, but it is a little too scattered. I guess that fits for the guy behind Animal House and Caddyshack. ***

Michael Clayton — This movie is really good, just an intense, perfectly thriller. I kind of want to write a full post about it. It is just so good. *****

TV

Psych — I don’t have much to say about Psych right now, other than that I am glad it is available streaming again. It is my ideal background noise show; I love it.

The Office — Another old favorite that rewatched chunks of. It holds up. Seasons 2 and 3 are some of the best TV seasons ever made, and the rest never falls below pretty good. The show never really develops the warmth of something like Parks and Rec, but it remains really funny and occasionally touching.

Top of the Lake — I heard good things about the second season of this, China Girl, but I decided to watch from the beginning. It’s good. A slower, more thoughtful show than I really wanted to be watching, but it is quality stuff. I don’t know that it really succeeds as a mystery, but it works as a character study. I’ll get to the second season sometime.

Runaways — Hulu’s entry into the superhero genre. Well, kind of. The comic this is based on is excellent; one of my favorites. They got the characters and the look right, but they changed up the story. The changes make sense in a lot of ways, the comic does sort of lose its focus after the parents are dealt with, but it fell into the trap that Marvel’s Netflix shows have increasingly fallen into; the show is impossibly padded. There are just long stretches were nothing happens or it repeats plot points. My complaint is essentially that in a show titles Runaways, the kids don’t actually run away until the last episode.

Great News — I will have a blog post about this show sometime, especially as it appears to have aired its last episode. It is a great follow up to 30 Rock, one of the greatest sitcoms ever made. This season was strong all the way through, though it did have the misfortune of following the sublime Good Place, which sucked up all the attention. This season fleshed out the secondary characters and brought its central story to what can be looked at as a satisfactory conclusion. This show deserved better.

One Day At a Time — The second season of this Netflix sitcom frustrated me like the last season. There is a lot that is good about it, but I doesn’t quite hit the mark for me. The show combines very old fashioned structure and format with very forward looking subject matter. The latter works for me, but I have never been a big fan of the former. My favorite shows have almost all been single camera sitcoms that had no laugh tracks. There is nothing wrong with that format, it just doesn’t really work for me. At least it is well written, unlike the similarly formatted Fuller House, which is a complete pile of shit.

Trollhunters — My love for Guillermo del Toro’s Shape of Water got me to go ahead and watch the cartoon he created for Netflix. It takes some time to get going and build its world, but it turns into a really solid adventure. It shares a lot with Stranger Things (not just a bully named Steve who isn’t as bad as he seems), playing out like that show explicitly aimed at kids. I mean that as a big compliment.

CW Superhero shows — Black Lightning is coming on strong, Legends still hasn’t returned, Supergirl is coming together and The Flash is managing to remain light even though Barry is in jail. I am going to have a longer write up of these shows soon, so I am not writing much here.