What I Watched May 2020

Movies

Dangerous Lies – A thriller about a young couple who inherit a home from an old man that the wife had been a nurse for. There is a lot that is strange going on, and the couple has secrets to keep, since the husband was also secretly working for the old man as a gardener. It is a largely competent movie, but I largely forgot about it as soon as it ended. **1/2

Turbo Kid – Still a delightful romp. I am still a little grossed out by the excess fake blood, but otherwise this movie is just great. ****1/2

Wrong Missy – Lauren Lapkus is giving it her all in this movie, which isn’t quite as bad as many Habby Madison releases. It still feels like a movie where they hit on a premise, that a man goes on dates with two women of the same name and accidentally invites the wrong one on a trip, and then just sort of stopped instead of actually writing some jokes. It just feels like a huge missed opportunity. **

The Lovebirds – This is a pretty fun rom-com. Or maybe it’s not a rom-com; maybe some kind of action comedy. Except there really isn’t any action. The two lovebirds are in a relationship that has gotten stale. On their way to a party, they end up embroiled in some kind murder conspiracy involving fake cops. The titular lovebirds, Kumail Nanjiani and Issa Rae, feel like they can’t go to the police until they clear their name, so they set about trying to get to the bottom of the murder using the killer’s phone, which they have. Hijinks ensue. The movie largely succeeds on the charm of its two stars, who really work well together. It doesn’t quite reach the heights it could; some segments fall a little flat, but for the most part it is enjoyable. ***1/2

Back to the Future – Still great. Just a fantastic movie. *****

The Death of Stalin – Another rewatch. This movie is still fantastic. *****

TV

Hollywood – For the most part, this is a pretty enjoyable show. Just really easy to watch and largely entertaining. It also feels like the show is taking a victory lap for a race it lost in real life. This is celebrating diversity and inclusivity in Hollywood that to this day does not exist in its output. I get that this is part of the point of the show, but something doesn’t sit right. Still, as just a little fantasy show it is pretty entertaining.

The Unbreakable Kimmy Schmidt: Kimmy vs The Reverend – This is another of Netflix’s choose your own adventure specials and I still really like them. None have been as ambitious as The Black Mirror’s Bandersnatch, but Kimmy Schmidt uses the format to really have some fun with its story. This plays like an extended episode of the show. While I have not explored every nook and cranny of this special, what I have seen kind of forces it to follow one primary shape. There are right and wrong answers, not always obvious one, and the show will gently nudge you back to the right one after you see the wrong one. Still, it is more Kimmy Schmidt and a lot of fun to ‘play.’

Never Have I Ever – Really solid. A coming of age show about a young Indian-American girl. She has to deal with the differences in the two cultures she is growing up with, as well as deal with the recent death of her father. It is a struggle for her. Despite her experience being nothing like mine, the show works. It manages to turn some really difficult personal problems into solid comedy fodder. It nails both the humor and the drama.

Tales from the Loop – A powerful aesthetic in search of a show. It looks good and a few of its episodes are moving, but for the most part this show failed to engage me. I am sure some people really loved this show, but I was mostly just kind of disinterested.

Outlander S5 – I am feeling less and less enthused by this show. They are getting further and further from the books, which is fine, but that also means that following the books is no longer an excuse for some of the more troubling storytelling choices. So while there is still a lot to like about this show, at lot it does really well, the warts are growing more prominent. The prevalence of rape as a story motivator is getting tiresome. It doesn’t seem to be as big a factor when spread out across 800 page books, but it often becomes the focal point of the show. I am still in for the next season, but this show is feeling a bit long in the tooth.

Batwoman – The first season is done and with the announcement that Ruby Rose is not returning to the show, pretty much anything I had to say is immaterial. There was stuff to like with this show, much of it was related to Rose as the title character. Honestly, the show bungled much of the rest of it. I liked Alice, but they pushed her too far, so that there was nothing redeemable about her. By the bid midseason stopping point, there was no hope that Kate would be able to save her sister. That hope is a strong part of the comics, but for the show it would need her to somehow not be responsible for the most heinous acts. I guess the show could be applauded for not following that route of making it easy, but the show spends a whole lot of time with a character that is impossible to like. There is little nuance possible; she is a killer. It also has the problem of Kate’s dad running a privatized police organization, basically a private army, in the city. The show seems to want to frame them as good guys, when the very existence of the Crows is an evil thing. It can’t seem to bring itself to condemn them, though. Since the whole show has to be pretty much rebooted, I would keep Luke and Mary and dump the rest of the show.

The Flash S6 – a middling season of the show. I liked that they split the season between two villains, since they haven’t really nailed the season long arc since the first season. The second half of the season didn’t quite work, but some of that might be on getting cut short. I did like everything with Elongated Man; hopefully there is more of him and Sue next season.  (Holy shit, I wrote this a couple of weeks ago and I did not foresee the revelations about that actor coming.)  Hopefully they recast him and continue that story.

Supergirl S5 – I think this one mostly brought the Lena story home. I’ve got to be honest; I sort of lost track with this show. I enjoy it week to week, and the more the show features Lex Luthor, the better it seems to be. This season was solid.

Homecoming S2 – There is a lot to like about the second season of Homecoming. It is well written, excellently acted, and beautifully shot. That makes it kind of disappointing that it plays like a strange coda to the first season instead of its own thing. It feels a bit like watching someone solve a mystery a second time; the spark just isn’t quite there. Homecoming S2 doesn’t feel like it is expanding on the first season, merely replicating it. Still, it’s only about three hours long and it is really well made. I feel some disappointment from wanting more, but this is far from bad.

Columbo S4 – I will try to write a full post on this series once I finish watching it. Season 4 of Columbo has a handful more really well done mysteries. This is just an all-time great show.

The Great British Baking Show – I gave this a shot and just kind of fell in love with it. I am very annoyed with how Netflix has arranged the series for streaming, but there is just something comforting and relaxing about watching this show. I don’t have much to say, other than I now kind of wish I could bake.

Trial By Media – This was a real disappointment. There is a lot of good material here, but the show doesn’t seem to know what it is saying. There is no thesis to draw from these six stories. It is just six different times that media reporting on a story has affected the ability to get justice. One is a pure creation of the media, as a murder occured after a confrontation on the Jenny Jones show. One shows a man cynically manipulating the media to achieve his ends. The sheer variety of ways that the media affects these cases makes it impossible for something coherent to come out of this series. Other than the idea that the media report on cases can change how those cases are perceived and whether and how justice is achieved.

She-Ra and the Princesses of Power S5 – This has the usual problems that Netflix shows seem to, even when coming to their intended end. She-Ra S5 is 13 episodes long, but feels like 18 episodes worth of content. It just feels incredibly rushed at the end. Still, these are 13 really good episodes and it does seem like it told the whole story with few compromises. This has been a good show the whole time it has been airing; a show that started with a clear vision for what it wanted to be and largely succeeded in realizing that vision. I am going to miss it.

Bosch S6 – I like mysteries and procedurals. This show continues to be what it has long been, a perfectly serviceable cop show. I am not currently interested in writing about a cop show.

What I Watched April 2020

Movies

Uncorked – A largely enjoyable movie about a man who wants to be a sommelier, but his dad wants him to take over the family’s BBQ restaurant. It is mostly about a father and son struggling to connect, that the son does not really want to follow in his father’s footsteps. It is solid. ***

Coffee & Kareem – Ed Helms gives it his all, but this movie just isn’t funny. The concept is solid, a buddy cop movie with the buddies being a cop and his girlfriend’s son, who hates him. The elements are all there, it’s sad that so much of the humor falls flat.**

Wayne’s World – I tend to forget how enjoyable this movie is between viewings. I remember the Bohemian Rhapsody scene and the Scooby-Doo ending, but this is a really solid comedy. Mike Myers has always had a way of creating very strong comic characters, and Wayne is no exception. He is both something of a straight man and a source of humor. It is a fairly referential movie, but somehow doesn’t feel dated despite being about 30 years old. In fact, Wayne’s basement shot tv show still seems pretty relevant in a time when everyone has a youtube channel. *****

The Willoughbys – This animated movie is about a group of siblings having to deal with their awful parents. It is unsettling how little of reason is given for their neglect, but it makes you side with the kids as they plot to remove their parents from the equation and their efforts to find a life without them. For the most part, it works. ***

Extraction – Chris Hemsworth stars in a John Wick like action movie. It tries really hard, and Hemsworth is pretty great, but the story varies from non-existent to bad. The action is good, at least. This movie just didn’t do anything for me. **1/2

A Secret Love – A sweet and interesting documentary about two women who have been together for sixty or so years. One of them even played for the women’s baseball league seen in A League of Their Own. I don’t know that it quite pulls everything together as well as it could, but it is solid. ***1/2

TV

Star Trek TNG 3-7 – I’ve watched this show before, and the current situation felt like the time for a rewatch. I didn’t really consciously choose to skip the first two seasons, my Netflix was left at the season 2 finale and I just started watching from there. I underestimated how much I like this show. I mean, I would tell I like The Next Generation, but I didn’t realize how easy it is to just put on and let play. I also underestimated how many episodes that I just completely forgot about. I last watched the show half a decade or so ago on Netflix, generally as I went to sleep. So there were quite a few episodes that I remembered the opening of, but not how it ended. There are a lot of ways this show shows its age, but for the most part it is still really good.

Star Trek Deep Space 9 Season 1 – I have not watched DS9 before, at least not more than a couple of isolated episodes. I know these shows take some time to find their footing generally, but I don’t know that Deep Space 9 is doing it for me. That isn’t to say I am not liking it; it is just that the cast is taking some time for me to connect with. Maybe it is just that this show was hyped up to me by friends as the best Trek show, but it just isn’t working as well as it could for me. Even this early it is noticeably darker than other Star Trek shows. (I am given to understand that this aspect gets more prominent as the show goes.) There is a lot of potential here, but I do not think the show reaches it in the first season.

The Innocence Files – It is kind of sad that Tiger King is the docu-series that has taken the world by storm, because this is the better series. The Innocence Files deals with people who were wrongfully convicted. Its nine episodes deal with three different categories of wrongful convictions. It looks at junk science evidence, at faulty eyewitness testimony, and at prosecutorial misconduct. All three can lead to putting innocent people behind bars. The first looks at bite-mark evidence, which it largely unconfirmed (or outright debunked) results and inconsistent methodology. However, when the state puts a man with Dr. before his name on the stand and he says the evidence proves someone did it, it is powerful for the jury. Eyewitness testimony is known to frequently be unreliable, but our criminal justice system is very reliant on it. It just shows all the ways the system can fail, and how hard the system fights against admitting its failures. Amazing show.

How to Fix a Drug Scandal – This is just a shocking look at institutional incompetence and neglect. It shows the different ways that the Massachusetts drug testing labs have failed. There are two separate scandals here. One is about a lab technician who started dipping into the evidence, eventually smoking crack at work. The other is about a lab worker who falsified results to go through the evidence faster. Both undermine the credibility of the criminal justice system. I was not as over the moon with this show as with The Innocence Files, but it is an amazing story.

Little Fires Everywhere – This show finished up and it was mostly strong. Reese Witherspoon has created one of the great TV villains on this show as a nice (white) lady who is just trying to help, and she just keeps digging and trying to force things to be exactly what she wants it to be and becoming more monstrous as the show goes on. She is not the only flawed character on the show, almost all of the characters make mistakes. But she is unique in how she keeps doubling down on those mistakes and refusing to learn from them. This show isn’t really my thing overall, but it was really well done.

The Big Show Show – There is no reason to watch this. I mean, it isn’t the worst thing I’ve ever seen. The Big Show is reasonably good as the affable patriarch to his family. But the show seems to be aiming straight for the middle and coming up short. The kids are that too precious type that tend to show up in a lot of bottom tier sitcoms. They can work; the youngest daughter is not too different from Louise from Bob’s Burgers. The difference in the quality of the writing around them. I think there is an audience for this type of thing, but it isn’t me.

Brews Brothers – This is another new Netflix sitcom from veteran writer/producer Greg Schaffer and his brother Jeff. It is about two brothers who brew beer, with diametrically opposed views on how it should be done. As things tend to work in sitcoms, they are forced to work together to operate a brewery. It’s pretty raunchy and intermittently funny. I think it started to find itself near the end of the season. I would watch more.

Ozark S3 – This season has got a lot of positive reviews, but I think this show is really starting to lose me. Laura Linney is great. So are Jason Bateman and Julia Garner. I don’t know, I just find myself progressively less interested in the moral decay of this family. I can’t really say why this is. I am not, as a rule, a big fan of this kind of show. I have never made much progress into Breaking Bad. I don’t have a problem with the craft of the show, it just isn’t the kind of story that really interests me. Ozark drew me for its proximity to where I grew up, a relatively short drive from Lake of the Ozarks, but that isn’t enough to carry me through anymore.

Letter for the King – I ended up liking this quite a bit. It is a story about a young kid who wants to be a knight. In the midst of a ceremony raising him to the knighthood, he stumbles onto a quest, which can be guessed from the title. It is a solid fantasy series. Aimed at a somewhat young audience, but still reasonably enjoyable for anyone.

Brooklyn 99 S7 – It was a short season, but Season 7 of Brooklyn 99 continued to be really good. It had a solid set of guest spots for Vanessa Bayer. The demoted Captain Holt was fun for a few episodes. Just some good stuff.

Always Sunny S14 – That this show is still going strong this deep in is amazing. I don’t know that the 14th season is the best, but this show hasn’t really lost a step. The Janitor Always Mops Twice and Thunder Gun 4: Maximum Cool are both great episodes of television. This is just a great show.

Columbo S2 & 3 – I’m working my way through my DVDs of this series. There are some really good episodes in these two seasons. There isn’t a lot of say about individual episodes. I haven’t run into a bad one yet. And Columbo pretty quickly has all the characteristics he’s famous for. Watching him work never gets old.

What I Watched March 2020

Movies

All the Bright Places – A fairly well done, teenage romantic tragedy that is mostly about mental health. It is a real downer and not really what I want right now. Elle Fanning and Justice Smith are really solid as the stars, I just didn’t like it that much. **1/2

The Coldest Game – Bill Pullman plays an alcoholic US chessmaster caught in the midst of Cold War spy stuff. He has to try to win a chess match against a Soviet master while helping a Soviet spy deliver information relating to the Cuban missile crisis. It’s mostly pretty good. **½

Emma. – read review here. ****½

The Way Back – read review here. ***1/2

Goodfellas – Yeah, this movie is just about perfect. I don’t really have anything to add to the Goodfella discussion; it’s great. *****

Tremors – Okay, this movie is much better than I remember it being. Cheap and goofy, but a lot of fun. Kevin Bacon and Fred Ward are great as an odd couple of handy men who find themselves stuck in a monster movie. It is a lot of fun. ****

Teenage Mutant Ninja Turtles – I am always shocked at how well this movie holds up. It is legitimately good and the turtles still look great. I love this movie. ****

Dick Tracy – This movie is kind of all over the place. Most of the cast is in a live action cartoon, Madonna is in an erotic thriller. Most of it actually works, but it still feels kind of disjointed at times. ***

Hard to Kill – I don’t think I like Seagal and I did not really care for this at all. **

Spencer Confidential – This had all the makings of being really fun, but it kind of doesn’t work. Wahlberg and Duke are good. But they are kind of stuck in a movie that isn’t really sure what it is. Wahlberg’s character has to constantly be the best at everything and be beaten down by the world. **

Pokemon: Mewtwo Strikes Back – A cgi remake of the original Pokemon movie. It isn’t great, but it is entertaining enough. As someone who hasn’t seen the Pokemon movie since I took my little brother to the theater for his birthday, I was pleasantly surprised at how much I liked it. It is definitely nonsense, but there is something remarkably enjoyable about a video game movie that sets out to tell one story and tells it, even if it is just a small chapter of a big story. ***

Lost Girls – An incredibly well made and frustrating movie about a young woman who goes missing. It is really about the incompetence and inertia of the police who are supposed to be investigating the disappearance, but do not really care because the girl was an escort. The roadblocks that Amy Ryan’s mother continually runs into are viscerally frustrating. It makes for an amazing, difficult movie. ****1/2

A Shaun the Sheep Movie: Farmageddon – This was actually a fun stop motion take on E.T., mixed with all kinds of other movies. I have not previously been much of an Aardman fan, but this was pretty delightful, even if low key. ***1/2

To All the Boys P.S. I Still Love You – A really solid teenage rom-com sequel. It really does a good job of building on the characters from the first movie, not just redoing the first movie. It actually makes the characters deeper and more well rounded. It is really good. ****

Altered Carbon Resleeved – An anime movie that takes place before the Altered Carbon show, or at least season 2, that fills in some backstory and is about some Yakuza line of succession in a world where people are functionally immortal. There is some fun to be had here, but I thought it looked ugly, which is a big problem with an animated film. **1/2

Night Hunter – A thriller starring Henry Cavill and Alexandra Daddario. It executes its formula pretty well. It isn’t going to blow anyone’s doors off, but if you want something in the vein of Silence of the Lambs, there are worse choices. **1/2

TV

Locke & Key – An adaptation of a series of comics created by Joe Hill and Gabriel Rodriguez. A trio of kids move back to their recently deceased father’s childhood home and start to find magic keys. This starts a game of cat and mouse with an evil entity that is also trying to get the keys. It is okay. Nothing special, but good enough.

The English Game – This feels like a show made only for me. It is a late 19th century period piece about the development of English football. It has a kind of upstairs/downstairs set up, contrasting the wealthy, upper class players of the established game against the lower class factory workers, with some of the factory workers even stooping to being paid to play. It isn’t the best thing ever, but presses a lot of my buttons. I loved it.

The Pale Horse – A lesser known Christie about a seemingly supernatural mystery. The show really plays up the unreliability of its protagonist. It is pretty entertaining; I don’t have much to say.

Hunters – This show goes places. I am not sure they are all good places, but they are places. Set in the late 70s, Hunters deals with a group that finds out Nazi’s relocated to the USA after WW2. Logan Lerman plays Jonah, who after the murder of his grandma falls into the orbit of Al Pacino’s Meyer and his group of Nazi hunters. The show tries to both be a mediation on how to deal with loss and grief, and a sort of exploitation movie. The two halves are never really adequately combined. It is certainly flawed, but even with all of its flaws it remains largely entertaining.

The Trials of Gabriel Fernandez – This one is a rough watch. Just the vilest of humanity on display, and the complete failure of every level of a system that is supposed to prevent things like this. It is a revealing look at personal and systemic failures, but it also simply turns the stomach.

Tiger King – I don’t have time for this. This documentary is impossibly to look away from, and just keeps getting crazier and crazier as it goes along. Judging by the internet from the last couple of days, everyone has seen it. I do have some qualms with how it treats Carol Baskin. The doc makes a convincing case that she killed her husband without any real evidence that she killed her husband. I don’t like that a bunch of internet weirdos are going to be harassing her for the rest of her life based on innuendo and the ramblings of a meth addict. Still, this is impossibly entertaining.

Castlevania S3 – I think I came to the same conclusion with each season of this show, but I do not like it all that much. It seems to revel in the parts of Castlevania story that I don’t like, or to reimagine parts I do in ways that I don’t. Each season I find that I am very much not on the same page as this series. Season 3 had a decent story with Trevor and Sypha fighting a town of cultists, but I kind of hated everything around that. I am not saying this show is bad, I am saying it is aggressively not for me.

Altered Carbon S2 – I remember really liking the first season of this, but the second season kind of lost me. It wasn’t the change from Kinnaman to Anthony Mackie as the main character. I liked Kinnaman, but Mackie is really good. There is a lot of interesting stuff in this show, but this season focuses more on a bigger plot than the first season, which started as a something of a murder mystery before morphing into something greater. The production values are still amazing, but writing does not quite work.

Sanditon – This is a show based on an unfinished Jane Austen novel. You can almost tell, sometime near the end of the first episode or beginning of the second, where the show runs out of book. It then goes in some pretty non-Austen directions. Mostly in having character be a lot more complex in terms of morality instead of just personality. (That sounds like a dig at Austen, but at the end of an Austen novel, you know who is good and who is bad) Until the last episode, it still mostly works. I think it kind of fell apart in the end; maybe setting itself up for a second season. There are some problems that seem to stem from how much it departs from Austen’s, admittedly incomplete, set up. Still, it looks good.

The Office – Trapped in my house led to me watching a lot of The Office in the background. It still sucks me in when I watch it.

Black Lightning – The third season of what has been one of the better CW superhero shows wrapped in a largely satisfactory manner. The big problem I had with the end of the season seems likely to be fixed sooner rather than later and is hopefully just a story hook for next season. This season went big. Not only did Jefferson get involved in the Arrowverse as a whole during Crisis, but it also replaced the largely street level, local conflicts with an international story with larger ramifications. In the end, I think it pulled things back together pretty well and managed to bring a sprawling story that at times seemed to get away from the writers home. I hope next season sees a refocusing on the matters that the show started with, as I liked the first two seasons better.

Star Trek: Picard – The Next Generation is the version of Star Trek that I’ve always liked best. I felt a little trepidation hearing that Patrick Stewart was coming back to star in a Picard focused tv series. I was also excited, doubly so because Michael Chabon was involved. The show is not quite the home run I wanted it to be, but it is largely very good and ultimately pretty satisfying. I think the show did itself a disservice with its central plotline, which went too big and too urgent to really let people get to, in my opinion, the parts of Star Trek, which are when the crew has a little downtime. I like to see the ship’s crew interact, and this show didn’t really get to that until about halfway, and even then only did it about half way. Still, I liked it,

The Way Back

The Way Back is strange in how it manages to be both kind of slight and very heavy at the same time. It hits all the familiar marks of its genre, but underplays them in such a way that they actually have more impact. It isn’t a great movie, but it is one that makes a solid impact.

Ben Affleck plays Jack Cunningham, an alcoholic former high school basketball star. While he is slowly killing himself drinking, his old high school comes calling. Their basketball coach has suffered a heart attack and they need someone to step in and finish the season. Jack is reluctant to do so, but he eventually takes the position. While the school was a powerhouse back in his playing days, they are now down to six varsity players and have won only one game all year. From there, he helps teach the players about basketball and he learns how to move on with his life.

While several sports movies come to mind while watching The Way Back, the big one is Hoosiers. It hits a lot of the same beats. That movie also involved an alcoholic basketball coach who initially alienates some of his players. A coach who frequently lost his temper on the sidelines. With players whose parents are leery of letting them play over concerns about schooling. But while it hits a lot of the same beats, it does so with different enough emphases that it feels like its own thing instead of a pale imitation of the past. It also doesn’t have the pat conclusions that many other inspirational sports movies have.

For the Way Back, the basketball is secondary to the personal journey of Jack. Affleck immediately instills in him a bone deep weariness; you can feel the pain and trauma this character has suffered in every move he makes. However, the movie holds back on the exact details of that pain. He is separated from his wife and there was some past tragedy, but it doles out the information at a measured pace. Meanwhile, you see Jack slowly start to work through his pain. The basketball gives him something to hang on to. There is no call for him to stop drinking, he merely tries to sober up to better do his job. It is obvious he is white knuckling it, and when a past tragedy comes back, he can’t handle it. Setting up the usual backsliding portion of the movie.

There is just enough of the basketball team and strategy to keep it interesting. The team is limited in size and numbers, so Jack comes up with a plan to offset those weaknesses. He tries to instill in his team a sense of toughness. The players do not get a lot of development, but what is there is put to good use. The center, played by American Vandal and High Flying Bird’s Melvin Gregg, likes to shoot threes and has an exaggerated opinion of himself. The sharpshooter is a wannabe ladies man. The best player is a point guard too soft spoken to lead the team. Jack helps some of them become better players. Mostly, just the point guard.

The Way Back is an understated and effective drama. It feels like the kind of movie that won’t really stick with people, but the people who see it are likely to really enjoy it. I know I did.

***1/2

Emma.

Emma., from Autumn de Wilde and based on the Jane Austen novel, is wonderful. It is staged and costumed is style and well acted all around. It has pretty much everything that a good adaptation is supposed to have.

Emma. stars Anya Taylor-Joy as the title character, and she fully carries the film. The supporting players, with people like Bill Nighy, are also excellent. While this is the director’s first film, Emma. feels incredibly confident all around. This movie knows exactly what it is and what it wants from every scene, every shot.

Emma brings to mind two recent literary adaptations. The movie that most comes to mind is Whit Stillman’s recent Austen adaptation, Love & Friendship. While the works that were the bases for these two movies are very different, the movies show how to make engaging Austen adaptations; treating the subjects with enough irreverence. Emma is possibly Austen’s most overtly comic novel, and Lady Susan, the basis for Love & Friendship, was a deliberate inversion of such stories. Emma is a character who is never in any kind of danger; unlike the characters of most Austen novels her place in society, and that of her family, is not reliant on her making a good marriage. Emma’s problem is Emma. By putting the focus on her and letting her highlight the small hypocrisies of eighteenth century society, and contemporary society in some ways, it lets the novel be more comic. The movie plays this up. Emma is clever and well meaning, but she is also flawed. The movie focuses on those flaws, and still finds a way to make her charming. She may cause disaster after disaster, but since the movie makes her well meaning intent clear it is easy to forgive her. Since there are genuinely no stakes, it makes it easy to just go along. Love & Friendship had greater stakes, as Lady Susan and her daughter were in a precarious social situation. That movie revelled in how much Lady Susan was allowed to get away with because of the politeness of society. Emma is in a similar situation, but with less of reason to flout rules but a better motive in doing so.

Another movie that comes to mind is last year’s Little Women from Greta Gerwig. The movies share a modern sensibility applied to a classic work. Little Women did more to make the story its own with the structure of the movie, interweaving the two halves of the novel into one cohesive storyline, while Emma is much more a straight adaptation. But there is something in the attitude of Emma that feels more modern. The structural and thematic changes to Little Women were part of why it was so well received. Emma will likely not get such a rapturous reaction, but it was just as entertaining of a film.

Emma. is the first great movie I’ve seen this year. It is pretty much everything one could want out of a literary adaptation. If you have any interest in these sorts of adaptations, you owe it to yourself to see this.

****1/2

What I Watched February 2020

Movies

Maria – Some kind of would be female led John Wick style action movie. It kind of works, but it isn’t especially good. There are some good action scenes, but it is mostly just fine. **1/2

Psychokinesis – A Korean superhero movie that is actually a lot of fun. Roon-mi runs a chicken restaurant. She is involved in a real estate dispute with some mobsters working for a big corporation. When her mother dies, her estranged father, Seok-heon, shows up. He now has superpowers. After first trying to use them for petty schemes, he uses his powers to help his daughter out. It is a solidly entertaining superhero movie. ****

The Matrix – Yup, this first one is still great. I have no interest in watching the sequels again. *****

Shanghai Fortress – This movie is shockingly dull. A science fiction action movie about an alien invasion. It also tries to be a romance, but it only kind of works. **1/2

Elisa & Marcela – The true story of the first gay marriage in Spain, kind of. The movie is not good. It is melodramatic and didactic. I didn’t like it much at all. **

Rampant – A Korean zombie movie period piece. Lot’s of political scheming over the throne and trying to use an outbreak of a zombie virus to secure power. It goes badly. This is more of an action movie than a horror movie, but it is enough of a horror movie that I mostly just wanted to shut it off. ***

Back to the Future Part 3 – I know people who are really down on this movie, and BttF2. I don’t get it. The original Back to the Future is pretty much perfect, I agree, and its sequels are not quite on its level. But both 2 and 3 are ridiculously fun in their own right. I really like the 3rd one, as it puts the setup of the series into a new genre. *****

Dragon Quest Your Story – For most of this movie’s runtime it is an enjoyable, if incredibly fast paced adaptation of one of the best video games ever made. The last fifteen minutes turn it into something else entirely. ***1/2

Iron Fists and Kung Fu Kicks – This is a documentary about the development of Hong Kong Kung Fu movies. It is kind of surface, but it is largely entertaining. It covers the genre from Bruce Lee to close to the present day, covering the ups and down of the genre and its stars. It is a solid primer for those only vaguely aware of the genre. ***1/2

The Last Thing He Wanted – Bad movies are not usually this well made. This movie got miserable reviews and for about the first hour I was somewhat baffled by that. Then it got into its second half and . . . I don’t know. This is a strange movie. Everyone involved is too good for this movie to be this disjointed. **

TV

The Spy – It is interesting to see Sacha Baron Cohen do serious work. And good work. This show is good, but not great. It slips into hagiography at times, flattening a complex historical figure into something more like a straight hero. It is alo really tense and mostly very entertaining. Cohen plays the Isreali spy Eli Cohen, who infiltrated the Syrian government in the 1960s. Knowing historically how it ends makes it hard to watch at times. He has to leave his family behind and become someone else. He gets good information from the Syrians, but eventually the net closes in on him. He can feel it closing, but he is able to be talked into keeping going for all the good information he is getting until the inevitable happens. It is really good.

The Dragon Prince S1-3 – Pretty solid cartoon from Netflix. I never really warmed to the animation style. Still, the show itself is pretty well done. I don’t have a lot to say about it. It is a well executed fantasy story that is suitably complex and original. If you can get past the animation, which I really didn’t like, it is well worth watching.

Godless – This show is amazing. Just a long, loving, beautiful deconstruction of western tropes. The town of La Belle is almost completely without men after a mine accident killed nearly all of them. In their absence, the women of the town have banded together to keep things going. Jeff Daniels plays an outlaw, Frank Griffin, who waxes on about God while committing unspeakable acts. Roy Goode, played by Jack O’Connell, was like a son to Griffin until he double crossed him and took off. He takes refuge in La Belle. Sam Waterston plays a US Marshall hunting Daniels. Things almost never play out like you would expect in this show, at least until near the end. Scoot McNairy is the sheriff of La Belle, but he almost never draws his gun, leading to him having a reputation as a coward. His widowed sister is the real leader of the town. The show lets the characters live as it builds up to the inevitable conflict between the town and Griffin’s gang. It is one of the best things I’ve seen in some time.

The Pharmacist – Another Netflix true crime series. This one is a trip, following a pharmacist as he first tries to find the person who killed his son, then as he tries to get to the bottom of the all of opioid prescriptions that are running through his pharmacy as people start dying. It is plenty entertaining, even if it doesn’t really offer anything new.

The Chilling Adventures of Sabrina Part 3 – This show is something else. I still wish they would cut each episode down by about 15 minutes. I know the 40-45 minute runtime is for airing on tv with commercials, but the full hours that a lot of this shows episodes run feel laborious. I’ve got to be honest here, I am not especially engaged with this show. It is fine; largely well made and occasionally interesting, but I am never really interested. I do appreciate how wide the show tends to go with things, with trips to hell and all kinds of wild nonsense.

Giri/Haji – This show is wild. It is nominally a cop show. Kenzo, a Japanese cop, goes to England to look for his brother Yuto, who is in the Yakuza. Kenzo has to balance his responsibility to bring in his brother, if he is indeed guilty of the crimes he is suspected of, with his duty to protect his brother. There are all kinds of complications, from British gangsters to Yuto’s relationship with a Yakuza bosses daughter to Kenzo’s crumbling marriage, to Sarah, the British cop that takes a liking to Kenzo. Not on that, but the show seems determined to change genre about 4 times an episode. It is always a crime show, but sometimes it is an action movie, sometimes a relationship drama, sometimes it is animated, sometimes an action scene plays out as an interpretive dance. It keeps the viewer off balance and consistently engaged. I really enjoyed it. I don’t know that there is much room for a follow up season, but I would definitely watch one.

Shrill S2 – Another batch of episodes here that are really pretty good. I don’t know that I am directly the audience for this, but I enjoy the show enough to stick with it for its relatively short run time.

High Fidelity – I have not read the book this is based on. I never watch the John Cusak movie. This show is fine. It feels perfectly aimed at a very specific audience and I am not that audience. The foremost reason for that is that I don’t really care about music. Rob is this insane mix of appealing and completely insufferable, a hard trick to pull off. The show is really easy to watch even if you are not particularly engaged with it.

Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)

The narrative that DC is flailing and Marvel has got it figured out is so solidly ingrained now that I don’t see it changing. It doesn’t matter that Marvel’s movies look and feel more homogeneous as they go. Or maybe that is part of their popularity. It doesn’t matter that DC is doing stuff that is weird and good. Once Batman v. Superman came out and people didn’t like it, the narratives were set. DC will always be chasing Marvel, no matter how different the approaches and final products. Warner Brothers has put out some really good DC movies over the last year, mostly using an approach of simply making the best film for each character. Wonder Woman, Aquaman and Shazam were all excellent and, no matter my complete disdain for it, Joker really resonated with people. Birds of Prey continues this, while salvaging the best part of Suicide Squad.

Birds of Prey follows Harley Quinn as she breaks up with the Joker. As abusive and toxic as that relationship was, she learns that her proximity to the most feared criminal in Gotham had granted her a measure of protection that she took for granted. Especially with night club owner and criminal Roman Sionis. Once she is no longer untouchable, he comes after her to get revenge for several petty slights. Luckily for Harley, he is in need of help. Help finding an important jewel, which was stolen from his henchman Zsasz but a young pickpocket named Cassandra Cain. Unfortunately, there are plenty of other people out to get her before Harley does. One is Gotham cop Renee Montoya, who has been trying to take down Sionis for years. Another is the mysterious Huntress, who showed up out of nowhere and started shooting people with a crossbow. And finally there is Dinah Lance, a night club singer who is finally fed up with Sionis.

The story is told from the perspective of the somewhat addled Harley Quinn, so it moves in fits and starts at times. She is telling the story as it goes, and sometimes goes back to tell it in a different way. The disjointed nature of the opening hour works in the film’s favor as it slowly introduces characters and shows scenes from different points of view. In all, the structure calls to mind early Guy Ritchie movies like Snatch, where various groups of criminals bounce off each other in unpredictable ways.

The movie shines in one area especially: the fights scenes. Supposedly John Wick director Chad Stahleski helped with the fight scenes and it shows. They don’t match that series for inventiveness or impact, but the fight scenes here are a cut above most action movies, let alone most superhero movies. Birds of Prey’s action has weight. The scenes are frequently over the top, even silly, but that fits in perfectly with the movie they are making. They are a deadly, ridiculous ballet. The fight in the police station is great and the big one at the end is just masterful.

It also shines with characters. Margot Robbie continues to be excellent as Harley Quinn. The character is seen somewhat as DC’s version of Deadpool, and there is some truth to that. Like Reynolds with that character, Robbie perfectly embodies Harley Quinn. Also, it is a taste that is not for everyone. The Birds of Prey stray a little further from their comic counterparts, but they all get the cores of their characters right. Montoya is a good cop pushed just a bit too far by the corruption of Gotham. She wants to do the right thing, but is so disillusioned with the system that it is starting to break her. As we are introduced to her here, played by the excellent Rosie Perez, she is starting to crack, but her heart’s in the right place. Huntress, played by Mary Elizabeth Winstead, is pretty much straight from the comics. A mafia princess coming back to get revenge on the people who killed her parents. She is a somewhat twisted version of Batman that, in the comics, eventually broke good. The new addition is her social awkwardness, an understandable development for a person who spent most of her life training to get revenge. Then there is Dinah Lance, Black Canary, played by Jurnee Smollett-Bell, who we do not get enough of but has the best arc outside of Harley. She starts as someone who ignores the damage happening to people around her, until it is so in her face that she can’t ignore it. As the movie goes along, she becomes more committed to fighting against it.

The only fly in the ointment is Cassandra, who bears absolutely no resemblance to the comic character. She is almost as much of a mcguffin as the diamond she stole, but mostly works as a sort of kid sidekick to the whole cast, though she ends up in Harley’s orbit for most of the movie.

I’ll admit to being enough of a comic nerd that seeing characters I like on the big screen is still something of a thrill for me, especially when they are character who have not been there before. DC’s B and C list characters are some of my favorites, so seeing Huntress and Black Canary was fun in and of itself. However, Birds of Prey is firing on all cylinders. It has great action, a good sense of humor, and some really great character work. I loved it.

****1/2

What I Watched January 2020

Movies

Before I get into these movies, I am going to note that I spent a large portion of January cleaning out my Netflix queue, watching all of the movies that had been sitting on my list for years without being watched. So some of those are just getting a score with nothing more. Those will be up first, then my usual quick reviews.

Becoming Jane – ***

Someone Great – ***1/2

Kate and Leopold – ***

The Little Mermaid (2018) – **

Colonia – **½

Red Sea Diving Resort – **

God of War – **

Moonwalkers – **½

Rattlesnake – **

Yucatan – **

Clouds of Sils Maria – ****

The Brawler – *

The Men Who Stare at Goats – ***

Fullmetal Alchemist – **

The Fighter – ****

District 9 – ****

IO – **½

Pegasus – **½

Unicorn Store – **

The Talented Mr. Ripley – ***½

Detective Dee and the Four Heavenly Kings – ***

Knives Out – see review here. *****

The Hateful Eight: Extended Edition – I reviewed this movie before, but I watched this extended edition that is broken into four episodes as a mini-series. It still plays. This is a great, if thoroughly unpleasant, film. I don’t know that I need to watch this nearly four hour long version very often, but it is a wholly entertaining experience. *****

Kabaneri and the Iron Fortress: Battle of Unato – This is another movie split into episodes for Netflix. I moved it up here because it definitely functions more as a movie than a miniseries. I think this would be better if I knew the series; as it is it is a mildly enjoyable animated action movie. ***

Casa de mi Padre – This movie is certainly not for everybody. Will Ferrell stars in a fairly straight attempt at Mexican telenovela. It just pushes things further away from reality at every turn. It is tuned to a very specific sense of humor, which fortunately for me is one I share. This is Ferrell in his strangest mode and I love it. The artificiality of everything just makes it work. ****1/2

Hell or High Water – I absolutely loved this movie. Two brothers, who own a farm that is about to be foreclosed on by the bank, take to robbing small bank branches for small amounts of money. Though it is set in modern times, it plays out like an old Western. Especially as the law men come after the brothers. Despite their actions, your sympathies generally lie with the brothers. Especially with Chris Pine, whose plan this is and is doing it to help his ex-wife and kids. I loved everything about this movie all around. *****

A Serious Man – This was one of the few Coen Brothers movies I hadn’t seen. It is good. Not my favorite, but very good. It is calls to mind the book of Job, with terrible things happening to the main character for no rhyme or reason. ****1/2

End of Watch – I absolutely hated this movie. No part of it worked for me. Certainly not the most egregious, but one of the most obvious reasons, is how it handled the camera. It pretends that the cops are shooting it themselves, but most of the time there is no one holding the camera. It just shows laziness in how the movie was made, which is evident throughout the movie, despite the best efforts of Gyllenhal and Pena. 1/2

Ni No Kuni – I haven’t played the game that this movie is based on, so I don’t know if it reflects the story from that or is largely original, but it is fine. I generally enjoyed it. It feels like it leaves a lot of interesting story on the table, with a lot of possibilities introduced and not fully explored. ***

The Wandering Earth – A big Chinese science fiction movie that largely plays out like a reverse Armageddon. It is entertaining on that level. ***

1917 – read review here. ****

Little Women – read review here. *****

Steel Rain – This one is wild. It involves a plot to assassinate the leaders of North Korea that nearly spirals out into nuclear war. You’ve got a schlubby guy with a failing marriage from South Korea teamed up with a soldier from the North trying to stop things before it spirals into an even bigger catastrophe. It is wild, but interesting. ***

Troop Zero – I don’t know that this movie quite works. It is a weird throwback to some kind of 80s comedy, relying on cute moppets and unreliable parental figures. Troop Zero goes weird with it. It works because it has some specificity, but sometimes it is just too out there. I enjoyed this more than I didn’t, but I don’t think it will stick with me. It certainly seems like something a certain group of kids will fall in love with.***
A Kind of Murder – This is just a straight up noir. It is just a thoroughly competent genre exercise. Patrick Wilson is always great, and this is no different. He is a writer whose wife gets killed. Killed in the same manner as a bookseller’s wife. The police suspect a connection, and Wilson keeps lying to the cops to cover up an affair. It is pretty entertaining. ***

Just Mercy – read review here. ***1/2

The Gentlemen – read review here. ****

The Perfection – Okay, this is a strange thriller/horror movie. I don’t know that I actually liked it all that much, but it is certainly very well made. It keeps the viewer on their toes and gets pretty gross at times. ***1/2

Manhunt – A wild conspiracy thriller from John Woo. You’ve got false accusations, super soldier drugs, gun fights with two heroes handcuffed together. It is very entertaining. ***1/2

Kung Fu Yoga – This movie is essentially Jackie Chan as Indiana Jones, in a China/India collaboration. The movie isn’t very good, but Jackie Chan has still got it. ***

Raging Bull – This is a movie that puts a man’s ugliness on display and just lets it go. It is well made and well acted and just kind of amazing. I’ll likely never watch it again. *****

Justice, My Foot – I have really enjoyed Stephen Chow movies in the past, and finding this one from the 90’s on Netflix was intriguing. It is mostly fine. There is some stuff that has aged very badly, (which isn’t the right way to frame it, as it is not like any of the tasteless jokes were ever good) like some straight up homophobia. Otherwise, it is a fun, silly legal period piece. I enjoyed it. **1/2

TV

Voltron S7-8 – I really enjoyed the first six or so seasons of this show a few years ago, but they pumped out the seasons faster than I could watch them and I just fell off. I circled back around early this year and finished the show off. This is a really good show that mostly sticks the landing. I see why they killed off the character they did at the end, but it doesn’t sit quite right. Still, this show is really good. I am glad I came back to it.

You S2 – The first season of You had this kind of enthralling quality to it, as Joe was so clearly a monster, even if he didn’t realize it himself, and you were watching for it to unravel. Then it kind of doesn’t. Season 2 is probably where I am done with it, because I really don’t care to see anymore of Joe. I can only watch a monster for so long as he slowly wriggles through cracks before I am just done with it. Here he finds a new group of people to latch onto and slowly destroys them, even as they destroy themselves. It ends with a twist that will keep the show going for at least another season.

Lost In Space S2 – I think this is as good as this show is going to be, which is a largely pretty good family scifi show. It is generally enjoyable, but the exciting moments of escape and adventure are sometimes mired in interpersonal relationships that simply are not as interesting. It builds along several episode long arcs that feel a little padded, instead of just telling more focused, interesting stories. Still, I like it quite a bit.

Medical Police – A spin-off of Children’s Hospital. I don’t know what to say. It is a parody of doctor shows and a parody of police procedurals and a parody of something like 24. It is a lot of fun and incredibly stupid. One of the highlights of the year so far.

Violet Evergarden – This is emotional manipulation, the series. Violet is an auto memory doll, a person who writes letters for people who, for whatever reason, cannot write them themselves. She does this work in part because it helps her, a former child soldier with little social development, better understand people. The show parades mostly sad stories in front of the viewer as Violet learns about emotions. I am being too harsh, it is mostly a pretty good show, though it feels a little truncated.

Living With Yourself – This was an interesting little show with Paul Rudd playing a man who goes to a spa that, unbeknownst to him, clones him. The spa’s business involves killing the original and replacing them with the refreshed and improved clone. But the original version of Paul Rudd survives, which leads to the two of them having to work to coexist. I don’t have a lot to say about it; it is mostly pleasant and enjoyable. Like Paul Rudd is in just about everything. I would watch more if they make it.

The Family – This documentary spins itself in circles a little, but it does illuminate the quasi-Christian fundementalist that have been working for half a century to influence American politics. It is religion removed from morality and, as presented here, simply gross. This is not the best made documentary series ever, but it is pretty enjoyable.

Carole and Tuesday – The second half of this music themed anime. This half of the season ends up with the duo being somewhat involved with the politics of future Mars, while also just trying to make their music and capitalize off their success in the competition from the first half of the show. It remains mostly good.

Spinning Out – A melodrama about figure skaters. One family, an overbearing, bipolar mother and her two daughters as well as a rich man, his sons and his new wife. Kaya Scodelario is the elder daughter, who is struggling to recover from a traumatic injury. She is also realizing that she shares her mother’s mental health problems. Added on to that, she has recently switched from singles to doubles. There is a sports show happening, but it often gets relegated to the background for some over the top melodrama. Which is fine, that is what the show is. It just also isn’t really for me.

Killer Inside: The Mind of Aaron Hernandez – This is a solid look into the toxic collection of circumstances that led to the creation of a man like Aaron Hernandez. From CTE, to homophobia, to just the culture around football that allowed him to get away with whatever he wanted. It is chilling and more than a little sad, for many reasons.

Sex Education S2 – This continues to be very good show. I am still confused by the setting, which is a strange mishmash of current and something out of the 90s, America and England. This season expands the scope of the show greatly, moving the focus off Otis and Maeve somewhat and allowing more characters to have more developed stories. That lets the show tell a lot more stories, but it loses something in the exchange. I think it improves the show.

Dracula – The team behind Sherlock have brought that same approach to Dracula. The first two episodes are really good. Those first two episodes are interesting reimaginings of the novel, keeping certain aspects, while radically changing others. Much like Sherlock. I think things really fall apart in the third episode. Much like Sherlock. The whole ride is worth taking, even if the final part doesn’t work at all.

Watership Down – Great voice cast, good story, miserable animation. This show is just ugly. I don’t have much more to say.

The Good Place – It ended near the start of February, so hold me to having more to say next month, but this is one of the best shows of the last few years. Absolutely amazing from start to finish.

Cyborg 009: Call of Justice – The story of this show is fine, as far as justifications for cyborgs fighting ancient mutants goes. What does not work is the cg animation. The Cyborg 009 characters have pretty distinctive design, which is washed away here for generically ugly cg. The show is just kind of a pain to look at, which means it is harder to care for the story.

CW DC Shows – Basically, January mostly had the second half of Crisis on Infinite Earths. It was really good, and if I write about the end of Arrow I’ll have more to say about it.

The Rhythm Section

It feels like beating a dead horse to write about this movie. It didn’t review well, nor did it make any money. There really isn’t a good movie. There are certainly things it does well, but the package does not come together into any kind of entertaining movie.

The Rhythm Section is a spy movie about a woman, Stephanie (Blake Lively) whose family was killed in a plane crash. A few years after that, she is visited by a reporter who tells her that the plane crash was not an accident, but a terrorist attack. This leads to Stephanie wanting to get revenge. First she attempts it on her own, then she seeks help from a former MI6 agent played by Jude Law. He trains her, then uses her to track down the people responsible for the plane bombing.

The movie creates strange juxtapositions. It is mostly a somber, realistic take on a spy or revenge movie. But it is full of needle drops that seem to come from a much more fun, pulpier movie. It highlights the humanity of Stephanie, showing the toll that losing her family, and blaming herself for it. She is slowly killing herself as the movie starts. She has fallen as low as she can. Then the movie gives a perverse ray of hope; it gives her someone to blame. It shows how desperate she is to do something to get revenge, but how hard it is to take a human life, especially when she has to look the person in the eye to do it. Then she has to train.

A lot of movies, fun and good movies, would breeze through this training, or end up with Stephanie as a cold, bad ass killer. To its detriment, The Rhythm Section is better than that. She trains for a few months and knows enough to get herself into more trouble. She is obviously not ready for this work, but she knows enough to fake. Every attempt she makes to do James Bond stuff ends horribly. She fails repeatedly.

The strange juxtapositions come in with the filmmaking. Sometimes things are shot handheld, to try to appear realistic. Sometimes it is super stylized. Most discordant is the ending, with Stephanie walking off like a supreme badass, which is not what the movie showed her becoming. The ending treats everything before this as an origin story, but there her character arc ends with her having no reason to ever engage in this sort of work again.

It is not like you can point to any one thing that sinks this movie. Lively and Law, and Sterling K Brown who plays an information broker, are good. The movie does some interesting things. But as it goes on it becomes more and more clear that the pieces here just don’t fit together.

**

The Gentlemen

The Gentlemen did not disappoint. While not as quite as light on its feet or sheerly entertaining as Lock, Stock and Two Smoking Barrels or Snatch, The Gentlemen still has a lot to enjoy. There is this unfortunate undertone of something really gross just beneath the surface of this movie. The movie traffics in the idea that if it is offensive to everyone, it is offensive to no one and while I don’t think that holds up to any sort of scrutiny, this is not really a movie that invites any sort of scrutiny.

The movie follows Matthew McConaughey’s Mickey Pearson, a marijuana kingpin who is looking to get out of the game, to retire and spend time with his wife. He is looking to sell out to an American billionaire. Also looking to hone in on his territory is an up and coming Chinese mobster Dry Eye. The story of this potential deal is laid out by Fletcher, a private eye hired to turn up dirt on Mickey, who is telling his story to Mickey’s right hand man Raymond. Of course, there is more going on with every character than is initially apparent. Also, Colin Firth shows up as an Irish boxing coach who gets involved trying to keep some of his young boxers out of trouble.

A troubling part of the movie is how it frames its villains. It plays up the foreignness of Dry Eye, and the American billionaire is also Jewish. Fletcher, who quickly shows himself to not be trustworthy, plays up his homosexuality. The movie is also pretty sympathetic to the plight of impoverished aristocrats who can’t afford the upkeep on their giant manors. But to accept this framing as truly troubling, you have to buy Mickey as someone worth rooting for, and I don’t think the movie really makes you root for Mickey. You like the cool, collected Raymond (Charlie Hunnam) and Mickey’s wife Rosalind (Michelle Dockery), who runs an auto-body shop by women for women. But Mickey himself, an American who came to the U.K. and started a drug empire, is not especially sympathetic. The only truly likable person is Coach, a rough and tumble guy who just wants to keep some youngsters out of trouble.

The movie is mostly enjoyable. As it plays out as Fletcher telling Raymond a story, it allows the movie to have some fun with things, with Fletcher spicing up the story when he is missing information or just wants to make something up. It allows for director Guy Ritchie to use some of his fun tricks to spice things up. However, it never quite gets to that incredible tumbling house of cards feeling that Snatch managed. In Ritchie’s earlier gangster movies, you had several different groups of running different schemes that bounce off of each other in interesting ways. The Gentlemen really only has two or three factions and little in the way of surprise. It is still fun, but it feels just a little lacking.

Still, it is fun to be back in Ritchie’s English underworld. Honestly, while I have plenty of complaints, I really enjoyed seeing this. It is not a movie that is going to stick you for long after you leave the theater, but it is a really enjoyable time while you are there.

****