Saving Mr. Banks – It is well enough made, though even though the rosy picture of Disney doesn’t really ring true. Still, it is hard to argue against Tom Hanks and Emma Thompson. ***
Behind the Curve – This is a somewhat tragic documentary looking at flat-earthers. It is tragic because these sad individuals can’t help buy debunk themselves as they try to prove their theories. It just stinks of societal failure. ***1/2
Triple Frontier – This is another close thing. It is kind of a strange heist movie. A bunch of vets get a plan to rob a South American drug lord, but find a lot more money than they expected. The early part goes faster and smoother than the usual heist movie, but it is followed by a painstaking escape sequence. It mostly works, but it feels really close to being something actually special. ***1/2
Aliens – Aliens is great, but you already know that. *****
Big Trouble in Little China – Kurt Russell is amazing in this. His incompetent bravado is just perfect. Jack Burton is a sidekick, comic relief character that thinks he’s the protagonist. It is wonderful. *****
Cobra – I did not like this at all. It is stupid and mean and not particularly exciting. It feels like Stallone trying too hard. **1/2
Labyrinth – Yup, it is still a delight. ****
Ferris Bueller’s Day Off – I didn’t realize how much of a creep Ferris is in this, but that doesn’t really make the movie any less entertaining. It is a lot of fun. ****1/2
Invaders From Mars – ehh, not for me. **
Hot Rod – This movie deserves to be remembered as a comedy classic. It is one of my favorite “recent” comedies. It is so great. *****
Captain Marvel – read review here. ****
Dumbo – read review here. **1/2
The Highwaymen – I kind of loved this. It is unusual to get a movie about the public enemies era that doesn’t sympathize at all with the criminals. Here, it is all from the point of view of the cops, who struggle to catch Bonnie and Clyde. I just liked seeing Kevin Costner and Woody Harrelson giving old man speeches. ****
The Dirt – Last year, I didn’t much care for Bohemian Rhapsody; it was kind of a badly made movie buoyed by some genuinely great music. This is the same, but with not nearly as good music. **
Black Lightning – The second season of Black Lightning is over and while I still think the show is great, it kind of feels like this season started getting away from the creators here. It expanded in scope, but could not quite wrangle that new scope into a coherent season. I expect some dropped threads to be picked up in the next season, but some stuff, like the stuff about the new racist principal, was either poorly conceived or poorly explained. Still, I think the show is generally excellent and look forward to next season.
After Life – I don’t have much to say here. This show is bad. It is an unlikable combination of mean and smug. Gervais has made quality television before, but he has put together quite the string of misses lately.
The Widow – This has a lot in common with Black Earth Rising, though The Widow adds a lot of action thriller stuff to it. Kate Beckinsale stars as a widow whose husband died in a plane crash. Only she finds evidence that he might have survived and she heads to Africa to get to the bottom of things. She stumbles into many hornets nest and learns some terrible truths. It is solidly entertaining, largely thanks to Beckinsale and Charles Dance, but feels like it would have worked better if trimmed by a couple of episodes.
Pen15 – This show is well made, but it is hard to watch. It hits close to home, even accounting for the difference in genders between me and the protagonists. This is a crushingly accurate depiction of being a teenager at around the turn of the century.
Turn Up Charlie – This show should be bad. It is strange, with Idris Elba playing a washed up, one hit wonder DJ who is desperate to regain his fame who ends up working as a nanny for his famous childhood friend. It is an odd set up. But Elba is great and the show is much more charming than it might first appear to be. It is definitely worth a watch.
Iron Fist S2 – It says a lot about how bad the first season of Iron Fist was that the second season could improve so much and still not really be any good. This show is just kind of out there in no man’s land. The tone of the Netflix Marvel shows was established by Daredevil and the other characters work, to varying degrees, with that tone. It isn’t the only choice, but that dark, grounded-ish world works for Jessica Jones and Luke Cage and especially The Punisher. But that it is hard to fit Iron Fist into that mold with its super-powered martial arts masters. The character needs to be something campier and sillier than the Netflix tone allows for. This second season pushes things closer that way, but it is still sapping the fun out of Iron Fist instead of forcing the fun onto Netflix. The big improvement comes from the show realizing how much Danny sucks, and therefore moves a lot of the work off him. I don’t want to blame it on Finn Jones, who is trying as hard as he can. But he can’t convincingly fake fight and isn’t helped out by another part of the show to fake it. In a show that is supposedly about one of the greatest martial artists in the world, him not being able to appear to fight is a problem. By making him a lovable (or at least potentially lovable) goof, the show is a lot less tedious. It also cuts things down by about 5 hours, but still manages to have the same ratio of plot to filler, so that isn’t really an improvement. I intend to get to the rest of Marvel’s Netflix shows, hopefully by the time Jessica Jones hits, but I can’t say I’m sad to see them go.
Arrested Development S5 Part 2 – The word that comes to mind when analyzing this (hopefully) last batch of Arrested Development episodes is timing. Because the timing of these episodes is terrible. Timing was one of the strengths of the original run of Arrested Development. The show just seemed to know when to drop which joke, the actors all seemed to know just how to play off each other. It was like watching recent Golden State Warriors games. Everything was in sync. Here, everything just feels mistimed. It spends too long on jokes that don’t work and brushes by good one. Also, the satire was perfectly poised to deal with the social climate of the early aughts. However, a lot has changed since then. This whole season has felt like a once great athlete playing past their prime. To keep the basketball comparison, it is like watching Jordan on the Wizards. You can still see what made him special, but it’s not really there anymore. While it might just be too long since Arrested Development’s heyday for this to really hit. The huge break between the first half of this season and the second did it no favors. It loses any momentum it could have built up. I am going to have to go back and watch the whole season in one go to see if it works better. I don’t know what to say about this; the show is a pale shadow of one of my all-time favorite shows. Arrested Development went a long ways in defining my sense of humor. Stumbling onto the first season was like having everything click in my head, discovering that this is what I like. But the magic is gone. I’m sad to see this show go, but it really feels like the time.