Now Playing June 2020

Beaten

Shantae and the Seven Sirens – I wish I had more to say about this game. It’s good. Really good. Maybe not as good as Pirate’s Curse from a half decade ago, but Seven Sirens is a solid execution of the Metroidvania formula. It doesn’t have the best designed map, but there are a nice variety of powers to find and the game looks and plays wonderfully. But it is just a new Metroidvania; there really isn’t anything here that hasn’t been done before. Sometimes all you want is a comfort food, and Shantae and the Seven Sirens delivers that in spades. It is a really good game, but not one I have a lot to say about.

Tales of Vesperia – Read about it here.

Jake Hunter: Ghost of the Dusk – A 3DS detective game. It has a bunch of smaller cases that I haven’t yet finished, but the game’s big case is done with. I liked it well enough. It is decently translated, with a few parts that seem a little ill-fitting but for the most part being well told. The game sets up an interesting mystery to center things around, but my one big complaint with it is that it becomes kind of obvious. There aren’t really any red herring or misdirections, making it play out a little more like a procedural than a mystery. It is pretty early when it is clear what the resolution of a lot of the major mysteries is pretty early on. Still, I mostly enjoyed my time with it, and will likely check in with it later ro finish up some of those other stories.

Ongoing

Final Fantasy II – Some progress made, same concerns that always put me off before are putting me off again. I don’t want to dig too deep into it right now, but I will say that the leveling mechanics of Final Fantasy 2 are more interesting than good.

Final Fantasy VII – I progressed through another decent sized chunk of this game. I have been too busy to give it a lot of time, but I pushed through some early areas after leaving Midgar. The game simultaneously opens up and loses steam at that point. The player is finally out of the giant, dingy, dystopian city and dumped into what appears to be a fairly normal jrpg world. You also get a better sense of the imperialist power of Shinra. Nobody outside of Midgar seems to like them, but other than a few places most have accepted their dominance. The game also chooses that time to give an info dump about Sephiroth. It makes sense; while he has been mentioned a few times, Sephiroth did not really come into the story until right before escaping Midgar. Now the rest of the party is demanding answers from Cloud, and he has to give them. So the game starts to dig into the backstory.

Yakuza 4 – I started this up and played the first few hours of it. It is such an improvement over Yakuza 3. It looks a lot better, it plays a lot better. However, nothing important changed; it is still Yakuza. The game kind of has it both ways in terms of starting slowly and getting right into it. As the game starts with the player playing as Shun Akiyama, it is not immediately clear how he is connected to events. Akiyama is one of my favorite characters in the series; he has a kind of louche charm that contrasts nicely with Kiryu’s more straightlaced acceptance. He is also a good choice to ease players into not controlling Kiryu. I hope the rest of the game holds up, though I’ve always thought of Yakuza 4 as a lesser game in the series.

SteamWorld Quest – Still progressing, although slowly. I like everything about this game from an aesthetic point of view. I like a lot of the story so far. I am still not really warming to the card based battle system, and I’m far enough in that I doubt I ever actually will. As with every card-based rpg battle system, SteamWorld Quest turns every battle into a maddening struggle against randomness. This game is not the worst in that respect, but I don’t see what the games gain from this system over just having a ‘normal’ battle system.

Upcoming

Okami – I might have some Switch time, and this game is just sitting there. If I have time, then it will get some play. I have beaten Okami once and gotten about halfway through it a couple more times, but maybe having it handheld will help me get to the end of it again.

More Final Fantasy – I hope to finish II and VII before too long. I am planning something of a series replay, inclusive of many of the spin-offs. With 1 and 15 recently beaten, as well as the ports of 8 and 12 in the not too distant past, I have already made significant progress. The Crystal Chronicles remake is coming out in August, but before then I have quite the list of games to get through.

What I Watched June 2020

Movies

Blow the Man Down – An interesting little black comic thriller, something like a lesser Coen Brothers work. Two sisters in a small northeastern fishing town get mixed up in a murder plot, which leads to airing a lot of the towns dirty laundry. It’s pretty good. ***½

The Vast of Night – It’s hard to describe the movie without spoiling it. It is a very old school alien invasion movie, following a couple of young people looking into a possible alien sighting. It is very low budget but entirely captivating. ****½

Sukiyaki Western Django – A delightful mix of western and samurai movies. It is basically just Yojimbo/Fistfull of Dollars. An unnamed gunman wanders into a town that is at the mercy of two warring gangs. Things escalate and a lot of people get shot. It is a lot of fun. ****

Bill & Ted’s Bogus Journey – I still love this movie. I can’t wait for the sequel. *****

An Evening with Beverly Luff Linn – I did not like this at all. Someone else described it as absurd but humorless, which is pretty accurate. That is doubly disappointing because it is full of people who generally do stuff I like, but this was a misfire. *½

The Nice Guys – yup, it’s still great. *****

Indiana Jones and The Last Crusade – I watched a lot of comfort food movies this month. It felt necessary. *****

The Night Clerk – A would be erotic thriller starring Tye Sheridan and Ana de Armas. It doesn’t quite work. Sheridan is a man with Asperger’s who works as a night clerk at a hotel. He ends up as the lone witness to a murder in the hotel, as well as possessing video evidence of the crime. He is transferred to another hotel and meets a beautiful woman. Thriller things happen without any particular verve. **½

Da 5 Bloods – Review coming soon. (Hold me to this) This movie is pretty great. ****½

13th – This should be required viewing for everyone.  Just an amazing film. *****

The Disaster Artist – My thoughts on this haven’t changed. It is largely enjoyable. ***1/3

Back to the Future Part III – Nothing new to say. I love this series. *****

Hail, Caesar! – This movie rises in my estimation every time I watch it. I think it is the most underrated Coens movie. *****

For Love or Money – Michael J Fox and Gabrielle Anwar are charming to sell this movie, but it feels like a setup without a story. I guess it works, I enjoyed my time with it, but it still feels like a missed opportunity. ***

Eurovision Song Contest: The Story of Fire Saga – There is a lot of Ferrell’s work in stuff like The Spoils of Babylon and Casa de mi Padre in this, while also not being too far from his more commercially successful stuff like Talladega Nights and Blades of Glory. Rachel McAdams is again excellent. This is a sweet, largely funny movie. Definitely worth a watch. ****

The Last Days of American Crime – I hated this movie; it is ugly and incompetent and I don’t want to say anything more. *

TV

The Great British Baking Show – I have watched everything Great British Baking Show related available on Netflix. I wish there was more; I love it.

Community – This might need its own post. I planned on it having its own post, but I also assumed that I would enjoy watching this show. I have liked watching it when I’ve caught episodes here and there, but I never really sat down and watched Community during its run. It showed up on Netflix recently (I know it’s been streaming elsewhere, but it showing up on Netflix was my motivator to get to it.) I really did expect to enjoy this. There was that prime era of NBC sitcoms in the late aughts and early teens when they were airing The Office, 30 Rock, Parks and Recreation, and Community all at the same time. People whose opinions I respect told me that Community was the best of the bunch. I was deep into The Office at the time, slowly warming up to Parks & Rec and 30 Rock, and mourning the loss of My Name is Earl. I only ended up catching Community on repeats of just the occasional episode. Watching it all in order did not do anything to make me like the show. It’s fine. It has a great cast. There are some really funny bits. But overall, the show seemed really impressed with its own cleverness. It was trying to be clever not to be funny, but to show off how clever it is. And it wasn’t actually that clever. Fans of the show hate on the fourth season, but I ended up liking it more than the surrounding seasons. Season 3 felt desperate, with actively not funny recurring bits like Professor Spacetime becoming more and more prominent. Season 5 came back spiteful, eager to settle grudges that led to the change of showrunner in Season 4. Season 4 meanwhile, seemed happy to just execute the premise of the show, that a motley group of community college students had formed a study group. I feel like the show bought its own hype.

Arrested Development – I am sure I’ve written about this show before; for a long time it was my absolute favorite show. I don’t know that it still is. That is not because I think less of the show or because the Netflix seasons (which I like quite a but) but because I think some of the shows that came up in its wake, like 30 Rock, are maybe just a little bit better. Still, rewatching it from the start for the first time in a couple of years was fun. This show hits the ground running and maintains a high level of excellence throughout its original run.

What We Do In the Shadows S2 – This show somehow got better. It is managing to build on the mythology of the show and have some forward progress for its characters while still being largely an episodic sitcom. Everyone on the show is great, but I am really growing to enjoy Colin Robinson. This is probably the best show currently running.

Columbo S4-6 – I have a partially written long post about Columbo and how much I love the show. I promise to finish that soon. These three seasons were 15 or so very good episodes of Columbo. Some really memorable murderers, like William Shatner, Patrick McGoohan, Dick Van Dyke, Patrick McGoohan, and Janet Leigh. Good stuff.

Shades of Grey: The Road to High Saffron

“I’m not a big fact person; unproved speculation is more my thing.”

I fell in love with Jasper Fforde’s writing pretty much as soon as I encountered it. That first encounter was by way of a review of one of the later Thursday Next books, I am pretty sure it was One of Our Thursdays is Missing, in the paper. I cannot remember the specifics of what it said, all I knew was that it sounded like it was just for me. So I tracked down a copy of The Eyre Affair and that was pretty much it. While I have not encountered a Fforde novel that I did not like, one clearly stood above the others in my esteem. That is Shades of Grey, a post-apocalyptic science fiction coming of age story that is unlike anything else I have ever read.

It is hard to explain exactly what Shades of Grey is. The genres I listed above are accurate, but they do not really get what the book is across. While it is set in the future after some great disaster, the book largely is not about that. Every other story I can think of with a similar set up would be all about how the world went wrong. It would be dropping hints about how things came to be the way they are, and the protagonist would pretty quickly get wrapped up in a quest to unravel this unfamiliar world’s mysteries. Shades of Grey kind of does that stuff, but it mostly puts it to the side for the first two thirds of the book. Instead, it is a comedy of manners, more akin to something by Jane Austen than another post-apocalyptic science fiction story. That comedy of manners framing works, because explaining the minutia of the color-based society that Eddie Russet lives in creates an effective way to do a lot of world building. The framing also works to establish who and what the characters are. By digging into the doublespeak-esque Munsell’s Rules that govern this world and character obey or appear to obey while flouting the rules does a lot to inform the reader about who they are. The prefects, like the vile Gamboges and the grasping de Mauves, use the rules as clubs to hold over the heads of those they believe lesser than themselves. Meanwhile, Eddie’s dad uses the Rules as a shield to protect the vulnerable.

The start of Shade of Grey gives Eddie a problem. He was set to marry a woman higher up on the chromatic scale than he is. (More on that in a paragraph or so) But thanks to an ill-timed prank, he is sent with his father to the outer fringes, a backwater far from the society he’s known. His father has an important job, taking over as essentially this world’s version of a doctor for a friend who died suddenly. Eddie is given busy work, doing a chair census. After a few chapters, Eddie arrives in East Carmine and has to navigate a whole new social climate. His goal is to finish his work and get back to his would be paramour; to do that he has to navigate the social dynamics of this new town.

This allows Fforde to really dig into how the Chromatacia works. People in Shades of Grey fit into society based on which colors they can see and how well they can see those colors. Those who do not see any color well enough are Greys, who do the back-breaking menial labor. Following the chromatic scale, ROY G BIV and all that, people are ranked. Eddie Russet is a red, lowest on the scale other than Greys. It goes all the way up to Purples, who are the highest rank. Different colors get different jobs. Yellows, for example, are generally in charge of managing the Greys. There are all kinds of social rules that are carefully explained, like how complementary colors do not mix.

Eddie is essentially a very attractive man coming on to the marriage market. While he hasn’t had the test that will tell him how much color he can see, he knows he will rank very high. That makes him a viable commodity for families with compatible colors, like rich old red families whose colors are fading or purple families who are leaning too far too blue. Eddie, as a true believer in this color-based society, is trying his best to move up within the scale of red, marrying into an old money red family. But once his abilities are known in East Carmine, he becomes the target of the much too blue purple family, the de Mauves.

All of this is beside the point of the mystery going on behind the scenes. That mystery is threaded in early on; with a Grey masquerading as a different color, a pretty young grey woman that Eddie runs into in places she shouldn’t be, and the mysterious death of the previous doctor-like swatchman that prompted Eddie’s father’s move. In some ways it resembles the current trend of the hyper-competent woman teamed up with the bumbling hero. Except Eddie isn’t really bumbling. He starts ignorant, true, and he can be a little passive when he comes up against authority, but Eddie is largely smart, inquisitive, and capable.

At about the two thirds mark of the book, the balance shifts, with the post-apocalyptic stuff beginning to outweigh the comedy of manners stuff. Eddie starts to learn exactly how much of what he knows about the world is a lie. I do not think it is a spoiler to say that this color-based society is largely built on lies. Neither Eddie nor the reader is quite ready for how horrible the truth is once Eddie ends up in the abandoned city of High Saffron.

The whole thing works perfectly for me. The first part of the book is a constant delight, exploring an absurd world with some definite darkness hidden behind it. Still, it largely feels more playful than dangerous. Then it starts to become dangerous, while remaining pretty playful. The big turning point is a field hockey match that gets out of hand. By that point, Eddie knows strange things are afoot, but he is still set on getting out of town as fast as possible. Soon, that becomes impossible. So Eddie takes another path.

ENDING SPOILERS.

The big revelation is that the people who are sent to the Emerald City for reeducation are actually sent to High Saffron and essentially euthanized. After that revelation, the book ends with a series of successive gut punches. By the time secrets are revealed, Eddie and his grey counterpart Jane have developed a solid romance. Then that is derailed. At least Eddie has managed to create a happy ending for his friend Dorian and Dorian’s love Imogen. Theirs is a forbidden romance; she is a purple, he is a grey. But they fell in love and Eddie helps facilitate their elopement.  However, the representative of National Color, the organization that keeps society in order, redirects their train, sending them on the night train to the Emerald City. It is a ploy to see if Eddie knows the secret of the Emerald City. The naive Eddie of the start of the book would have immediately stepped in to help his friends, would have trusted that National Color was doing the best they could. Instead, he has to stand there and smile as his friends are sent to their deaths, because if he spoke up he would be joining them. That heart rending ending really whets the appetite for how Eddie and Jane will work to undermine the Chromatacia. Too bad there is not yet a sequel.