Marvel Netflix

The Netflix Marvel team up started with such high hopes and genuine success that the sorry state it ended up in as it winds down with Jessica Jones’ third season is really disappointing. Well, Jessica Jones S3 is not all that disappointing; it is a good deal better than the kind of miserable second season and a solid, if still flawed, grace note to end this whole endeavor. But the project ends up feeling kind of disappointing.

Netflix’s Marvel partnership started strong with Daredevil, but the problems that would hamper everything going forward were already present. It was too long, with 13 hour long episodes to tell a story that did not need to be anywhere near that long. It was also pretty dour, fitting for that season of that show but still true. These loosely connected shows, though, exhibited an uncanny ability to lean into their flaws. It seemed like anything that was a problem in a previous show would be doubled down on in the next show or season. That is how we got to the nadir with the first season of Iron Fist, a good four or five hours of story spread thinly across thirteen, done with seriousness and grimness entirely unfitting for a show about a man who grew up in a city of magical martial artists and can conjure mystical powers in his fist. I have no idea what the streaming numbers look like, but I know my interest was already well and truly waning at that point. I faded a bit more with each season down the stretch, though I would rate Jessica Jones season 1 a little better than Daredevil’s first, and eventually I kind of lost interest in each show. I hoped Iron Fist would be the one to pull me back. Of the four characters originally chosen for this Defenders project, he is the only one that is the most consistently fun in the comics. Daredevil is almost never fun. Jessica Jones can be fun, but her stories tend to be more serious noir detective stories. Luke Cage is kind of in the middle; he can be tremendously fun, especially when teaming up with Iron Fist, but also lends himself to serious work.

One thing all of these shows, save Daredevil, consistently failed to do was reflect what made their comics entertaining. The shows all seemed to shy from their comic roots. They pulled the characters and set ups, as well as bits of plots and stories, but left everything else behind. This was especially the relationships between the characters. I’ll be honest, seeing those develop was one of the things I was most interested in and it never happened. I am sure there are good, production related reasons for that, but it doesn’t make it any less disappointing. I’d rather have had one season of Danny and Luke teaming up in Heroes for Hire than both shows’ season 2s. The fact that the two characters, most famous for teaming up with each other, barely interacted outside of Defenders, was a mistake and a disappointment. It is why seeing Luke Cage and Jessica Jones in Jessica Jones season one dissipate was disappointing. It is not that that is the only story about them that matters, but that it is the story I most wanted to see. The shows also did that in format. They all wanted to be important, “prestige” television, even when that was not the best fit for the characters. Jessica Jones is a private investigator, the fact that the show couldn’t find things to fill the dead space in seasons was sheer ineptitude. They could have taken some cues from mysteries or procedurals, but those shows aren’t “prestige” so that was not the route taken. It is also true with costuming. Daredevil had a Daredevil costume, but the other shows ran as far away as they could from their comic looks. That sort of mocking the comics bullshit worked with X-Men in 1999, but twenty years later it is pretty sorry. If you are going to make a show about Hellcat, have her dress like Hellcat. Iron Fist is a silly character, give him a silly costume.

Jessica Jones was the best series of the group. I had the best overall season, and its sophomore effort was not quite the unmitigated disaster that Daredevil season two was. Even that show had a problem with spinning its wheels with one interminable season long plot every time out. The biggest problem with all of the Marvel Netflix shows is that they were just good enough to keep me watching. There was always a scene, or a story or a performance that made me want to see more, even though I rarely walked away from a show actually enjoying it. And they started to figure things out at the end. The two shows that got season 3s improved from their season 2s. Iron Fist Season 2 was shortened. Maybe they were slowly righting the ship.

Now, the Marvel Netflix partnership is over. Most new Marvel shows are going to be on Disney+, and actually tied to the MCU, unlike the unfulfilled promise of the Netflix shows. Maybe they will be good, maybe not. Marvel also still has some other outlier TV shows going on some networks. Hulu’s Runaways, a show whose first season disappointed me and I have yet to get to the second, is still ongoing. There is also a Cloak and Dagger show that I think is still running. The interesting, but flawed, The Gifted has ended, as has the even more interesting Legion, which with Fox being bought by Disney opens up the X-Men for a completely fresh start. TV networks seem determined to find the absolute maximum amount of superhero content that can be created and they don’t seem to think they’ve reached it yet. Continue reading

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What I Watched June 2019

Movies

Backdraft 2 – I don’t know why someone thought we needed a sequel to mid-tier hit from the 90’s; we didn’t. This movie is shockingly competent, if not especially good. I mean, it is full blown nonsense and I can’t recommend it to anybody. But I kind of enjoyed a bit. **

Hot Fuzz – Yup, I still love it. *****

Murder Mystery – I can’t remember the last time I genuinely enjoyed an Adam Sandler movie. This movie almost leans into the criticisms of Sandler movies being an excuse to take a vacation on the production company’s dime, but it somehow works. There just appears to be more effort put in here, on the scripting and directing, than other movies. It isn’t the best mystery I’ve ever seen, but is just kind of works. This movie isn’t great, but I think it is slightly on the side of good. ***

Good Sam – Just a straight up Hallmark romance movie. I watched it for Tiya Sircar, who I knew from The Good Place. There is no reason to watch this movie. There are worse ways to spend 90 minutes, but I don’t know why you would. **

Planes, Trains and Automobiles – This movie kind of sneaks up on you. This movie does a good job of keeping the viewer’s sympathy in between Martin and Candy. Martin’s character could have been more hateful, but you see from the start that he is actually a good guy who is getting stressed. Candy’s is kind of insufferable, but even early on he seems like a generally decent guy. The whole movie just worms its way into your affections. There aren’t many Thanksgiving movies, but with one this good do we need any others. ****1/2

Teenage Mutant Ninja Turtles – This movie holds up shockingly well. The turtles still look good; those are some excellent special effects. Maybe there is too much nostalgia for me to adequately judge this movie, but I think it is genuinely excellent. ****

Wheels on Meals – Hey, you know who is great? Jackie Chan. You know who else is great? Sammo Hung. One final great thing: this movie. It is just so full of energy, such great fight choreography. The fight near the end it just excellent. I loved this movie. ****1/2

Rocketman – Read Review here.

Yesterday – Read Review here.

Late Night – Read Review here.

TV

Documentary Now S3 – I’ve really liked everything I’ve seen from this series. The third season expands things somewhat. Instead of all of the fake documentaries involving Bill Hader and Fred Armisen, there are a lot of guest stars, from Michael Keaton to Cate Blanchett to John Mulaney. There is also still a lot of Fred Armisen. These are still pitch perfect fake documentaries. They are funny, but there is also a humanity there. Even the subjects that are the source of comedy get a touch of empathy before the end. This show is just pretty much everything I want out of television.

When They See Us – Is this a TV mini-series or a nearly four hour movie broken up into smaller chunks? It doesn’t matter. What it is is one of the best things you can watch on any screen. When They See Us tells the story of the Central Park 5, a group of young black and Hispanic boys railroaded by the New York police and wrongfully convicted of rape and assault. This show digs in and tells the story from their heartbreaking perspective. It shows how the cultural climate of the time, egged on in part by a degenerate con man, a rapist himself, who called for their death before any evidence was shown, helped lead to this miscarriage of justice. It shows the struggles of their families as they try to get through it. It shows how the stigma followed them afterwards until they were able to prove their innocence. It is wonderfully acted, wonderfully shot, and completely heartbreaking. This is just one of the best things of the year.

Good Omens – I really wish I had encountered this book, and more Terry Pratchett in general, when I was younger. I’ve got it on my kindle and expect to enjoy it when I finally get around to it, but judging by this show it is something that would have really made an impact on me as a teenager. If I was prepared to handle it; there is still some part of my very conservative, fundamentalist Christian upbringing existing that recoils at the blasphemy here. I unabashedly love this show. Michael Sheen and David Tennant are great as the central angel and demon who are trying to prevent the apocalypse that is supposedly the plan of both sides, motivated by concerns like how hard it will be to get a good meal when all the humans are dead. Around them are a ton of other interesting, and more vital to the eventual outcome, characters, like the young woman with the book of always correct prophesies or the new witch-hunter who has problems with technology. The central conflict rest on the shoulders of a normal young boy who, it turns out, is the antichrist. It is a perfect combination of cleverness and irreverence.

Jessica Jones S3 – I’ve got a big post-mortem about the entire Marvel Netflix project in the works, waiting only on me finishing the third season of Daredevil, so I will have more to say about this there. For now, I’ll say that season 3 of Jessica Jones is a bounce back after the near disaster of season 2. It does have a complete dud of a villain, but the conflicts between its primary cast are good and believable. I don’t really like where it left things, but that is where it had to leave things after the season that was.

Hanna – I really can’t say why I stuck with this to the end. It’s not bad; it is actually quite well produced, but the show never really clicked with me. The central plot, of genetically engineered super-soldier that just happens to be a young girl, is a lot more interesting in theory than in practice.