The Hitchhiker’s Guide to the Galaxy – see this post. I love this movie. Lots of favorites here; Sam Rockwell, Mos Def, Martin Freeman. *****
The Salvation – After watching Polar, Netflix recommended this other Mads Mikkelsen movie. It is a Western about a recent immigrant. After he settles in the west, he sends for his wife and son. When they arrive, they are quickly murdered. So Mikkelson’s Jon sets out for revenge, but then the brother of the murderer seeks his own revenge, setting off a destructive cycle. It’s nothing special, but it’s okay. ***
Ant-Man and The Wasp – I still enjoyed this a lot. Charming and fun, if inconsequential.****
Velvet Buzzsaw – I appreciate that this is a movie for somebody. That somebody is not me. This is a horror movie about the modern art world. It doesn’t appear to have much to say about art and it is not particularly scary (it is not scary enough that I watched it) but it is at least interesting. ***
Polar – This is some kind of weird mix of John Wick and Suicide Squad. I can’t fault anyone involved, least of all Mads Mikkelsen, but this movie is mostly not good. It is kind of entertaining in a wild and sort of awful way. Honestly, if it sounds at all interesting give it a try. I don’t think it’s good, but I had a decent time watching it. **1/2
High Flying Bird – Steven Soderbergh directed this movie about a fictional NBA lockout, with Andre Holland starring as an agent who manipulates things in an attempt to end the lockout. It is pretty great, with human characters and understandable viewpoints. It is a great sports movie that actually features very little of its sport. *****
Close – Noomi Rapace stars in a tight little action thriller. Rapace is a bodyguard, hired to protect a teenage girl. She saves the girl from an attempt on her life, but they can’t tell if it came from unknown enemies or from her own step-mother, with whom they have a fractious relationship. It is solid, if unspectacular. ***1/2
Alita: Battle Angel – read review here. ***
Hot Fuzz – This movie is an absolute favorite, and that doesn’t seem likely to change anytime soon. I can watch this movie forever. *****
The Breaker Upperers – I might be being fooled by New Zealand accents, but this is one of the funniest movies I’ve seen in a long time. It is two women who run a business breaking up couples for a fee. For various reasons, they have to reexamine their business model. It is great. ****
Paddleton – This is an touching and occasionally amusing comedy/drama starring Ray Romano and Mark Duplass. The two play friends and neighbors. Duplass’s character gets diagnosed with cancer and Romano helps him navigate the end of his life. It is very much a downer, but it is well made and intermittently amusing. ***1/2
The ABC Murders – There is a lot here to like in the adaptation of Agatha Christie’s Poirot mystery. They change somethings, in the backstory as much in the actual mystery, that seemed like a strange choice, but it is still really well made. John Malkovich is great as Poirot and I am starting to really like it when Rupert Grint shows up in things. It’s good, especially if you are not a Christie purist.
Russian Doll – Another show I want to really write about, but just don’t have the time. This is a Groundhog day type of story that goes in some interesting directions. It is just about a perfect show.
Conversations with a Killer: The Ted Bundy Tapes – Its fine. There are better true crime series. The most interesting thing was hearing all the men talk about how irresistible Bundy was to woman and hearing all the women talk about how creepy he was if you spent more than ten minutes with him.
Black Earth Rising – I don’t know. There is a lot to like about this mini-series. The performances of John Goodman and Michaela Coel. I am generally interested in the subject matter of International criminal justice. This show just kind of goes too wide at times, a little melodramatic in ways that doesn’t seem to suit the show. Still, it does a lot well. It focuses a lot on the effects of colonialism and how even well intentioned attempts to counteract them only work to perpetuate the problems. But the show is also just kind of disappointingly all over the place, tonally.
You – I don’t think this show is for me. You follows the worlds biggest creep as he creeps on the object of his infatuation. The show does its best to keep the viewer at least partially on the side of protagonist/psychopath Joe, but I couldn’t forget the crazy enough to buy into anything else. I guess I am little too old for the social media aspect to resonate either. I’m on twitter, but I don’t share life details with people I’d avoid on the street. (to paraphrase Shawn Spencer of Psych)
Hilda – This was recommended to me several times, but it took me a while to get through it. That is mostly because it is pitched at a slightly younger audience than I am used to. However, the further you get into this show, the more its depth and heart show through. It is a fun mix of a modern world with a whole bunch of fantastic and mythological creatures. Hilda is amazingly empathetic towards whatever creature has shown up in any given week. The show’s dynamic doesn’t quite click until she makes friends with Frida and David. Adding those two characters gives Hilda consistent counterpoints to bounce off of, and really shows how she is special. The whole show is permeated with this sense of wonder that is utterly delightful. It is a great show.
One Day at a Time S3 – Another solid outing for this Netflix critical darling. This season digs deeper into its characters, while never losing that classic sitcom format. Previously, I’ve that format restrictive, but as with classic sitcoms, it gets better the longer the show goes on. Sure, eventually it will hit a tipping point where the quality of the writing, mostly due to having to find more stories to squeeze out of the set up, starts to go down, but by then the viewer is so comfortable with the characters and setting that it still feels like a warm blanket. One Day at a Time is hitting that warm blanket stage.
Big Mouth S1&2 – This falls into a similar category as Sex Education from earlier this year. It is a well made show, frequently really funny. It is a show providing good information to people who no longer need it. I don’t know how much it would actually appeal to kids the age of those on the show. I like all the people involved and frequently really like the show, but my reaction is more of a shrug and it’s fine.
The Umbrella Academy – Netflix is moving on from Marvel, but they are staying the superhero business. The first season of The Umbrella Academy is maybe better than any of Netflix’s Marvel shows. I kind of want to write a long blog post about his show, instead of a tiny review, but for now I’ll just say a few things. First, plotting is not this shows strong point. It does great stuff with setting and character, but the plot is chaos. That is partly the point; this dysfunctional family can’t even get things together to face the apocalypse, but sometimes you can lose track of each episode as it goes. Again, the character work is great. You really get where nearly every character is coming from, though I think it is impossible not to side with some over others. It is a delightful sort of weird. The most part most indicative of the overall tone is in the first episode, when all of the siblings dance separately to “I Think We’re Alone Now.” It is almost too on the nose in a perfect way. This is a really good show.
Lorena – A solid docu-series that recontextualizes the Lorena Bobbitt story from the 90’s. It does a really good job of showing how a salacious story like this gets distorted in popular culture. At the time everything was focused on John Bobbitt and his version of the story, and Lorena was largely dismissed as a crazy woman. This series takes a fresh look at the story, and goes further, looking at what has happened since, and creates a clearer look at the incident, which shows Lorena as more of a victim. It also shows how genuinely gross people like Howard Stern, Geraldo Rivera, and Alan Dershowitz were in dealing with this story.