I’ve found Disney’s live action adaptations of their animated movies to run from mediocre to downright bad. Still, I somehow find myself going to see them. The advertising around Aladdin did not do it any favors, so I went in to see it not expecting much. That is despite my love of Guy Ritchie movies and me thinking that Aladdin is one of the absolute best of Disney’s animated movies. The 2019 version of Aladdin was a pleasant surprise, because it turns out it is actually pretty great.
There is no getting around this fact; the animated version is the superior movie. It is nimbler and more energetic. While there are improvements to this version, like having more than one woman with a speaking role, it loses a little of the light on its feet snappiness of the original. However, if you can accept that this is a somewhat lesser version of the movie, there is still a lot of fun to be had.
The part of the movie that is drawing the greatest criticism online is Will Smith as the genie. The two apparently objectionable parts of his portrayal are the look and simply an unfavorable comparison to Robin Williams. I kind of agree that the movie never quite gets the look of the genie right. I don’t know what they could have done better, I think the mind just rejects a real live blue person. There is nothing really wrong with it, it just doesn’t look great. The performance is something else entirely. I like it, when they let Will Smith be Will Smith. WHen he is copying Williams, it doesn’t really work, when he has more freedom to do his own thing, Smith’s charm shines through. Fortunately, the movie has a lot more of the latter.
While they do slow things down a little bit, most of the rest of the changes are for the good, narratively. The Sultan’s character has been given a near complete overhaul. He was essentially a child in the animated movie, both small of stature and small of mind. Here, he has been reimagined as a scared old man. It adds a layer to his dealings with Princess Jasmine. He is trying to marry her because he is afraid of leaving her alone. His fear allows him to be led by Jafar, at least in some things. Jasmine is made a stronger character, with more to her than just that desire to see life outside of the palace. She has studied and made herself capable of being a strong ruler should the opportunity present itself. Jafar has been changed pretty significantly, and for the better in my book. They made him, like Aladdin, a former “street rat.” He is a man that was born with nothing and has risen to be the second most powerful man in Agrabah. It creates a strong parallel between him and Aladdin that deepens Aladdin’s struggles with the power the genie gives him and the conflict between the two of them.
This is a still a musical, and while the musical numbers do not quite match the original, they are solid, with one exception. “Friend Like Me” is a dud in this version. It is still a fun song, but this version has none of the magic of the original. Still, “One Jump Ahead,” “Prince Ali,” and “A Whole New World” are still really good. The new song’s heart is in the right place, but it sticks out like a sore thumb. Especially the second time it shows up.
While Aladdin may lack the energy of the original, it is one of the few of these adaptations that feels like it has any at all. Many of the rest fell somewhat perfunctory; this one at least feels like it is trying. Like the animated version, it is a crowd pleasing delight.