Queen & Slim is a gorgeously shot and well acted romantic drama that ultimately feels more strongly weighted toward style rather than substance. It is a movie that deliberately provokes with how it portrays the police and how they interact with African Americans, but I am not sure it actually has much coherent to say about the issue. I do welcome alternate views on that, though.
The two protagonists, who are not named until near the end of the film. Daniel Kaluuya’s “Slim” and Jodie Turner-Smith’s “Queen” meet for a Tinder date. Queen, a lawyer, had a bad day at work and wants some company. Their date is uncomfortable; the two have little chemistry. They get pulled over on the drive home by a cop who, despite Slim’s completely cooperation, keeps escalating the stop. He just keeps pushing Slim and Slim keeps taking it. Queen, however, pushes back a little. Maybe he doesn’t need to conduct a completely unnecessary search of Slim’s drunk in the freezing cold. When he pulls his gun for absolutely no reason, she gets out of the car. After he fires on her, Slim fights back and the cop ends up dead. With little time to think, the two take off on the run.
The rest of the movie follows them as they run from the police. They don’t really have a plan or a destination, just no other choice with trigger happy cops on their trail. They become unwitting cultural symbols as they continue to evade the cops. As they go, they draw closer together. Forced together by chance, they end up forming something that feels like a real relationship, even as every element of their story is coated in tragedy.
The movie looks amazing. It is a road movie, with the two of them driving all over the eastern United States. Sunrises and sunsets look great, as do the two stars as they watch the countryside pass or each other. There is a lot internal going on, as you can see the characters journeys in their faces as the movie goes. The terror, the elation, the exhaustion. Kaluuya is amazing at this; Turner-Smith is fine. Bokeem Woodbine shows up for a while and is as entertaining as ever.
The movie doesn’t quite come together as more than a disconnected series of stops, other than in the building relationship between Queen and Slim. All of the provocative imagery about police and protests feels like window dressing. This is a movie created with that as the backdrop, that acknowledges those problems, but it is not a movie that helps sort through those tough issues.
Queen & Slim might have hit harder if there hadn’t been movies in the last year or so that explored similar topics with greater focus and skill. For example, last year’s Blindspotting covered some of the same ground, but that movie was more thoughtful and considered while it was no less confrontational. Queen & Slim’s point seems to be that no point can be taken from tragedies like this. Which, fair, but I walked away with a greater memory of some truly wonderful shots rather than anything from the story.