Year One – I saw this in the theater and kind of hated it. When I saw it pop up on Netflix, I felt compelled to watch it again. I didn’t hate it this time, though it is still more miss than hit. Really, it is trying way too hard to land ineffective gross out humor and neglecting the parts that actually kind of work. Year One is not good and there is no reason to watch it, but it isn’t the worst. **
Terminal – Reviews I saw for this were savage. Being a fan of Simon Pegg, Mike Myers and increasingly Margot Robbie, I started it up pretty quickly once I could do so for free. Terminal kind of exists in this weird no man’s land. The setting is odd, with not quite enough detail to inform the viewer of the nature of the movie’s reality. Still, there is a lot to enjoy in each of the scenes. It builds on a strange elliptical orbit, approaching its eventual reveals from an uneven trajectory. But those reveals mostly work. The ending is bonkers, but it all kind of works together. I enjoyed this. ***
Operation Finale – read review here. ****
Next Gen – An animated movie that is essentially a kind of Mega Man or Astro Boy story that is largely enjoyable even when it gets surprisingly dark at the end. And it does get pretty dark, especially for what is ostensibly a kids movie. It is worth a watch. ***
The House With a Clock in the Walls – read review here. ***1/2
A Simple Favor – read review here. ****
The Hurricane Heist – I think I love this movie. By almost any measure it is not good, but it is supremely entertaining. It starts with nonsense and just piles more and more on. I was entranced. ***
Dallas Buyers Club – Man, I really did not have the energy for this. It is a based on a true story look at trying to get medication for HIV/AIDS in the 80s and 90s. The movie won awards a few years back, probably deservedly. I can recognize the craftsmanship even as I found the movie exhausting. ****
The Power of Greyskull – A perfectly find documentary about the creation of the He-Man line of toys, of its rise to prominence and its swift downfall. It is more information than anyone likely needs about He-Man and the Masters of the Universe, but I still enjoyed watching it. ***
Jack Ryan – I like John Krasinski. This show has really solid production values. It also has a lot of narrative missteps and is somewhere between off and off putting tonally. I find the problems I have with this show harder to forget because of how well made it is, which makes me think the stuff I don’t like is in there intentionally. Because I have no idea what is supposed to be going on with the whole drone operator subplot, but I didn’t like any of it. The show is fine, often very good, but I don’t think the season’s story was up to par.
American Vandal S2 – This is the front runner for the best show of the year. I loved the first season of American Vandal and the second season might be even better. This season deals with a new vandalism related crime and the the crew from the first season makes another true crime documentary. The combination of the super-serious true crime set up with the ultimately very high school antics that are very much not serious. At the start, at least. Pretty quickly, there is a turn, where the show reveals the deeper issues and anxieties within its characters. And it works perfectly. It remains funny, while also adding a layer of sadness and tragedy to the whole affair. While the filmmakers play less of a role this season, the subjects of the documentary are more complex than last year’s Dylan. Which is say something, because Dylan was eventually revealed as a pretty layered character. This show is just amazing. I hope Netflix never stops making it.
The Good Cop – This should have been an easy win for Netflix. The creator of Monk making a detective show. There really isn’t anything new to making a detective show. The Good Cop flubs it completely, ending up in an incredibly unsatisfying middle ground between Law and Order and Monk. It has the goofy, mystery show feel, but the mysteries are decidedly lacking. Characters talk about the main character’s detecting abilities, but he never really displays them. Even a somewhat disinterested viewer will likely figure things out before he does. It isn’t like the actors are doing a bad job. There really is no reason for Tony Danza’s Big Tony to be there, but he seems like he is having fun with the role. Josh Groban works as little Tony and the rest of the cast is solid. It is just the writing, and in some places the concept, lets them down. It is really not a good show.